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Book Review: Killing Me by Michelle Gagnon
A laugh out loud thriller about women out-smarting a serial killer.
Summary:
Amber Jamison cannot believe she’s about to become the latest victim of a serial killer-she’s savvy and street smart, so when she gets pushed into, of all things, a white windowless van, she’s more angry than afraid. Things get even weirder when she’s miraculously saved by a mysterious woman…who promptly disappears. Who was she? And why is she hunting serial killers?
Review:
When I saw this on NetGalley, I was intrigued by the Final Girls-esque vibe – the women who would be the killer’s victims turning on him. I was skeptical I would find it humorous because, honestly, my funny bone is a little particular. But I actually found myself chortling on page one.
If you’re the type of person with an internal dialogue of self-deprecating humor about bizarre situations you find yourself in, then you’ll probably enjoy the sense of humor in this book. Regardless, you’ll be able to tell quickly if it’s for you or not, because the humor comes so quickly in the book, and that style is what’s present throughout the rest.
This is primarily told in the first person from Amber’s perspective, and she’s dry, acerbic, self-deprecating, but also whip-smart. (There are a few third person chapters that let us see things Amber doesn’t know about.) Amber is simultaneously problematic (she’s a con artist) and easy to root for. She’s richly three-dimensional. The main secondary characters are also rich and well-imagined. It would have been so easy to see a caricature of a sex worker, seedy motel owner, an Evangelical roommate, etc… yet they all are allowed to be more than what they might seem to be at first.
The Las Vegas setting rang very true to me. It depicted both the tourist bits and the seedier local areas quite well. I especially loved the run-down yet beloved film noir stylized motel as compared to the one recently made over to appeal to Gen Z and Millennials. That had me chortling.
I also really appreciated that this is a book whose main character is a lesbian but the plot has absolutely nothing to do with her being a lesbian. You could have almost the exact same book with a heterosexual main character. It’s just Amber so happens to like women. I like having this type of representation. It doesn’t always have to be about the difficulties of coming out or a romance to feature queer people.
The mystery itself was decent. The plot was certainly unique compared to other thrillers I’ve read, and I did not guess the ending. There was one twist that annoyed me only because it was solely a twist because Amber held something back from the reader. But I was willing to forgive it because she sort of breaks the fourth wall and acknowledges that she did it…which was funny.
I hope there’s a sequel, because I think there’s a lot left to explore with Amber, and she has a very interesting set-up at the end of the book.
Overall, I really recommend this to thriller lovers looking for something different. The humor and the plot really deliver.
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4 out of 5 stars
Length: 336 pages – average but on the longer side
Source: NetGalley
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Book Review: Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar
In this Bangladeshi-Irish YA romance, Hani needs to convince her two best friends that she’s really bisexual. She lies and tells them she’s dating academically focused and acerbic Ishu who agrees to fake date in exchange for help being elected Head Girl.
Summary:
Everyone likes Humaira “Hani” Khan—she’s easy going and one of the most popular girls at school. But when she comes out to her friends as bisexual, they invalidate her identity, saying she can’t be bi if she’s only dated guys. Panicked, Hani blurts out that she’s in a relationship…with a girl her friends absolutely hate—Ishita “Ishu” Dey. Ishu is the complete opposite of Hani. She’s an academic overachiever who hopes that becoming head girl will set her on the right track for college. But Ishita agrees to help Hani, if Hani will help her become more popular so that she stands a chance of being elected head girl.
Despite their mutually beneficial pact, they start developing real feelings for each other. But relationships are complicated, and some people will do anything to stop two Bengali girls from achieving happily ever after.
Review:
I have a soft spot for Irish literature, and when I heard about this book by a Bangladeshi-Irish queer Muslim author with a bisexual main character, it landed on my tbr list very quickly. This was a quick read with an easy to follow story and a sweet, very low spice romance.
I enjoyed Hani and Ishu each separately as character. They take turns narrating in the first person, and I never lost track of who was speaking. This book uses the grumpy/sweet trope quite well. Ishu is only grumpy because she’s focused and willing to speak her mind. Hani quickly sees through that. Hani and Ishu’s cultures are intertwined beautifully in the book. I like it when a book doesn’t feel the need to stop and explain cultural things to the reader. It’s on us to look it up if we want to, and that’s when I really learn things. (Like when Hani makes Ishu porota for breakfast. I looked that up right away. Yum!)
As a bisexual person, I appreciated how the story highlights the specific issues for Hani in coming out as bisexual. It’s clear that her friends would have fairly rapidly accepted her as a lesbian, but they view bisexual as being either confused or attention-seeking. They also don’t believe her because they’ve never seen her date a girl. This is a very realistic depiction of biphobia. Hani is quite confident about who she is and what labels she chooses. In contrast, Ishu is uninterested in labels, although she’s definitely attracted to Hani. It’s not clear if she’s only ever been interested in girls or more or if it’s just that Hani is the first person she’s ever been interested in. But that doesn’t matter to Ishu, and it doesn’t matter to Hani either.
When this book first came out, it was praised for depicting a queer Muslim character. (This article goes into depth about representation for South Asian queer women and interviews the author as well.) There is a perception that you cannot be both queer and Muslim. Both Muslims and non-Muslims hold this viewpoint. Yet people like Jaigirdar are both and depicting this in her books is important to Jaigirdar. Thus, we see Hani engaging with her faith. She goes to the Mosque. She reads the Quran. She eats halal. There is also a perception among many non-Muslims that if someone is serious about Islam and a woman then they will wear the hijab. But it is possible for someone to be devoutly engaging with her faith and also not wearing hijab. The author depicts this in Hani, as well as how she must struggle against the perception that she must not be a “serious” Muslim because she doesn’t wear hijab.
So this book covers a lot of seriously important representation well, and the romance is sweet and believable. What didn’t work for me was the secondary characters. Whereas Hani and Ishu felt well-rounded and interesting, everyone else felt flat and two-dimensional. There also were some kind of big issues that Hani and Ishu seemed to just gloss over. Now, they’re teenagers, so maybe that’s realistic. But Ishu having to hide the relationship from her parents long-term was concerning to me. Also, we never see the characters talk about being in an interfaith relationship. We do hear that Ishu appreciates Hani’s devotion to her faith as part of her. But Ishu is atheist, and we never really hear Hani’s thoughts on that.
Overall, this was a fun read with a lot of important representation. Recommended to readers who enjoy the fake dating and/or grumpy/sweet tropes.
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3 out of 5 stars
Length: 352 pages – average but on the longer side
Source: Library
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Book Review: In the Lives of Puppets by T.J. Klune
A science fantasy reimagining of Pinocchio where Pinocchio is a “real boy” surrounded by robots (puppets) with a m/m (or, rather, male, male robot) romance added in.
Summary:
In a strange little home built into the branches of a grove of trees, live three robots–fatherly inventor android Giovanni Lawson, a pleasantly sadistic nurse machine, and a small vacuum desperate for love and attention. Victor Lawson, a human, lives there too. They’re a family, hidden and safe.
The day Vic salvages and repairs an unfamiliar android labelled “HAP,” he learns of a shared dark past between Hap and Gio-a past spent hunting humans.
When Hap unwittingly alerts robots from Gio’s former life to their whereabouts, the family is no longer hidden and safe. Gio is captured and taken back to his old laboratory in the City of Electric Dreams. So together, the rest of Vic’s assembled family must journey across an unforgiving and otherworldly country to rescue Gio from decommission, or worse, reprogramming.
Along the way to save Gio, amid conflicted feelings of betrayal and affection for Hap, Vic must decide for himself: Can he accept love with strings attached?
Review:
This is a loving and detailed send-up to Pinocchio. I hadn’t seen the movie in years, and it still stirred up memories for me. When I went to look up the original book version’s plot to compare to this retelling, I found even more details I hadn’t realized or remembered. It’s obvious the author loves Pinocchio, and if you do too, I’m expecting you’ll likely love this retelling. For me, the problem is, I was so excited about a new T.J. Klune book that I sort of…forgot I don’t like Pinocchio. (“Don’t like” is a gentle remembrance. In fact, the movie absolutely terrified me as a child.) Even so, I found myself able to appreciate this loving rendition of the story.
I absolutely adored the character of Rambo – the tiny robot vacuum who’s clearly supposed to be a later generation of roombas. As always, I liked the narrative style the author uses – it reads as sing-songy in my head and feels like someone telling me a fairy tale, which is perfect for this book. I liked the wide variety of robots inhabiting the world, and I really enjoyed the robot substitute for the traveling circus character. I also appreciated that this isn’t an exact retelling of Pinocchio. The story is sometimes restrained, with simple allusions to the original. For example, Victor is never turned into a donkey, but he does stay the night in a hotel like room that is decorated with donkeys at about the right point in the story.
I appreciated the flipping of Pinocchio (Victor in this telling) as being human with his father being a “puppet” (a robot). But I felt like the ending really lets that inversion down, not taking it to its full and complete conclusion. I think there’s supposed to be humor in this book, but it wasn’t funny to me. You will know within the first few chapters if it’s tickling your funny bone or not.
I also found myself unable to root for anyone in this book, save for the small, innocent Rambo. Everyone else has something so wrong with them that it soured me to like them. The one I can talk about without spoilers, as the episode happens in the first chapter, is Nurse Ratched. She is a robot companion of Victor’s who was designed to nurse humans. She’s described as sociopathic, in a way that I think is supposed to read as comedic. As in, she acts like she enjoys inflicting pain but doesn’t really. Yet in the first chapter she chases down a squirrel (off-screen) and kills it by rolling over it again and again. I almost stopped reading the book, I was so horrified. But it was an advanced copy, so I decided to give it another chance. She never does anything like this ever again, but it is actually not uncommon for characters in this book to have something they have done in the past that is truly horrific that is brushed off as their programming. I’m all for plots where characters have to overcome their own tendency toward being bad, and redemption and forgiveness are both very important. But I need for that not to be the plot for almost every single character. It, at the very least, is distressing to read about.
The romance did not move me, which was surprising given what strong feelings I had for the couple in The House in the Cerulean Sea! I also have complicated feelings about how the book depicts what freedom means, how robots pursue freedom, the offerings of the “freedom fighter” character, etc… This, in fact, is a reflection of how I feel the overarching messages tended to get muddled. The only message that I felt was clear and consistent was “be brave!” but no clear reason as to why was ever given. To borrow from an American fairy tale – the overarching story needed a heart. I think, perhaps, the romance was supposed to be the heart, but it didn’t work as one for me.
This is also an incredibly sad book. It’s not uplifting in the slightest. There’s nothing wrong with sad books, but it is a departure from the author’s other books, and so I think the warning is warranted.
Overall, this is an imaginative and loving retelling of Pinocchio that should appeal to fans of that fairy tale. Readers should be aware that the darkness of the original story remains in this retelling.
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3 out of 5 stars
Length: 432 pages – average but on the longer side
Source: NetGalley
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Book Review: Last Train to Memphis: The Rise of Elvis Presley by Peter Guralnick
Considered by many to be book one of the quintessential Elvis biography duology.
Summary:
Based on hundreds of interviews and nearly a decade of research, it traces the evolution not just of the man but of the music and of the culture he left utterly transformed, creating a completely fresh portrait of Elvis and his world.
This volume tracks the first twenty-four years of Elvis’ life, covering his childhood, the stunning first recordings at Sun Records (“That’s All Right,” “Mystery Train”), and the early RCA hits (“Heartbreak Hotel,” “Hound Dog,” “Don’t Be Cruel”). These were the years of his improbable self-invention and unprecedented triumphs, when it seemed that everything that Elvis tried succeeded wildly. There was scarcely a cloud in sight through this period until, in 1958, he was drafted into the army and his mother died shortly thereafter. The book closes on that somber and poignant note.
Review:
If you know you’d be into an in-depth Elvis biography, I can tell you that this one is widely acknowledged as the best starting place for its depth of research and attempt to present a neutral viewpoint – neither one of a fan nor one of a naysayer. It’s out to find the middle-ground, and the the truth does often lie somewhere in the middle.
If you think you wouldn’t be into an Elvis biography, there’s more to this book than Elvis. It’s also the story of the American music industry in the 1950s. I learned so much about how music was made and marketed at that time, and how rock n roll changed it. It wasn’t just about the sound but about how the music was actually sold. For example, I didn’t realize how at the tie going on near-constant tour to small music venues was considered the best way to market yourself. The chapters about how Elvis’s manager, the Colonel, got him onto television and how television really started to change the music industry were fascinating. It was like an echo of TikTok in some ways. I also really enjoyed learning about Sun Records – the small, independent label that gave both Elvis and Johnny Cash their starts.
I’d previously heard a lot of the very bad things about the Colonel. It made me wonder how Elvis fell for using him as his manager to begin with. This book really brought to light the why. The Colonel may have taken a much larger percent (25%) than was usual (10%), but he also had a great business mind and really got things done. It was the Colonel who got Elvis on television and in the movies. I’d always thought the Colonel pushed Elvis into the movies but this book showed from its extensive interviews that Elvis himself was quite interested in being like James Dean. The relationship, at least at the beginning, was a lot more give and take than I’d thought. Another example is that it’s clear from the interviews that Elvis was ok with letting the Colonel be “the bad guy.” He didn’t protest or get in the way when the Colonel did something that those around him thought was squidgy. In fact, it seems like he was kind of ok with letting the Colonel be the scapegoat.
I knew from previously reading The Gospel Side of Elvis that Elvis loved gospel music and considered it his first music love. I hadn’t realized, though, how almost indifferent he felt about the music he did play. He was professional about it, but he didn’t love it the way he loved gospel. From my understanding of the book he seemed to pursue the music he thought would be the most likely to lead to success, not the one he was passionate about. It always makes me a little sad to hear of someone making a choice based on potential success than passion, although I do understand why people do that. How different things would have been if he’d pursued gospel though, huh?
This book was a little slow-going for me because I kept stopping to listen to the songs mentioned or watch the television appearances as they came up. I think that enhanced the book, and if you have the chance to read the digital book with the audio/video enhancements, I would.
Overall, this book delivers what it promises – an in-depth look at Elvis based on extensive research and interviews. But it also goes further, illuminating America’s music scene in the 1950s, and how it changed, putting us on the trajectory to the modern music scene.
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4 out of 5 stars
Length: 560 pages – chunkster
Source: Library
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Book Review: Appalachian Zen by Steve Kanji Ruhl
A memoir written throughout one man’s life looking back on his childhood in the Appalachian region of Pennsylvania and following his journey to becoming a Zen Buddhist minister in Massachusetts.
Summary:
Edgy, lyrical, and lovingly rendered, this book recounts how a kid from a Pennsylvania mill-town trailer park grew up—surrounded by backwoods farms and amid grief, violence, and passionate yearning—to become something a Buddhist minister teaching Zen. Throughout the book, Ruhl engages Buddhist themes of awakening and the death of the self by confronting the lives and deaths, including two by suicide, of his loved ones. This provocative memoir tells how it feels to practice Zen, and to move toward a life of hard-won forgiveness, healing, and freedom.
Review:
As a woman who grew up in the hills of Vermont, I’ve felt an affinity for other hill folk throughout my life, but especially ones who struggled with the local culture and left looking for something else. The title of this book drew me in instantly when I saw it on my library’s new book shelf, and I brought it home after quickly verifying it was, indeed, about both Appalachia and Zen Buddhism.
I’ve read a lot of memoirs and a lot of Buddhist books in my day. But I’ve never read a book that’s both. I’ve also never read a memoir that was written over decades. That’s something that fascinated me about this memoir – Ruhl actually wrote large section of it while he was living through those moments. Of course, some parts, like looking back on his childhood, were written in retrospect, but others were written in the moment. Thus, Ruhl’s own voice and perspective changes over the course of the memoir in ways I found fascinating. Perhaps the most noticeable to me was how he moved from exoticizing Japan a bit when he first visited to beautifully articulating why that needs to be avoided as an American Zen practitioner later in the book.
Ruhl beautifully articulates what it feels like to grow up rural white poor, how that culture is beautiful and painful simultaneously, and, similarly, how it is both a relief and an ache to leave and live elsewhere. I thought this book would pair nicely with reading Limbo: Blue Collar Roots, White Collar Dreams (review). As part of his training, Ruhl went back to Pennsylvania to bring Zen to these hills. I was so excited about this part of the book because I find the idea of Buddhist ministry to the rural parts of the US like where I grew up so fascinating. But unfortunately the book had very little to say about it. That disappointed me. I wanted to know more about how he felt going back, what it was like to be back as a forming Zen minister, and how people in the area responded to Zen. It seemed to me that he was quite motivated to go back and do this work and then after his training he, instead, returned to Massachusetts. I realize that even memoirists get to hold parts of themselves and their journey private. But in a book called Appalachian Zen, I felt like it wasn’t unreasonable of me as a reader to expect more clarity about what happened here. Even if something simple and straightforward was said like…I realized that type of ministry wasn’t for me.
In contrast the author is exquisitely honest when discussing the suicides of two women he loved dearly – his sister and a close friend (former girlfriend). This part of the book moved me so much, I could only read it a few pages at a time. The author reveals the full spectrum of grief, including guilt, and even includes some excerpts from his ex-girlfriend’s journals, which she mailed to him just before she committed suicide. This is one of the most raw and honest accountings of being bereaved for someone lost in that way. But do be aware the methods of suicide are described (although not in graphic detail).
Ruhl describes participating in trainings with both the Zen Peacemakers, and the Zen Mountain Monastery, along with some other organizations. His trainings with the Zen Peacemakers included taking on being unhoused for a few days and traveling to Dachau to confront the Holocaust. His time with the Zen Mountain Monastery seems to have been more traditionally Zen. You can read more about Ruhl’s current work on his website.
Overall, this is a unique and emotional memoir written throughout the author’s life. The reader should be prepared for some areas to be explored more in-depth than others and open to aspects of Zen Buddhist thought being incorporated throughout.
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4 out of 5 stars
Length: 356 pages – average but on the longer side
Source: Library
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Book Review: The Saga of the Bloody Benders by Rick Geary
A true crime graphic novel telling of a family of serial killers in the 1870s.
Summary:
Out on a deserted stretch of Kansas road linking newly forming towns, a mysterious family stakes a claim and builds an inn for weary visitors. Soon, reports multiply of disappearances around that area. Generally, those who disappear have plenty of cash on them. A delicious tale of a gruesome family fronted by a beguiling lass who led their victims on…
Review:
I first heard about the Bloody Benders in an American Indians in Children’s Literature blog post about what Laura Ingalls Wilder left out of the Little House books. Essentially, Laura said she left out some aspects of her childhood because she didn’t think they belonged in a book written for children,…one of which is how Pa probably participated in mob justice against the Benders. American Indians in Children’s Literature does a great job breaking down how problematic it is that depicting white serial killers in her books wasn’t ok but depicting the horrifying treatment of Indigenous peoples was. In any case, I got curious about the Bloody Benders, and the internet said this was one of the better books written about the topic, so I picked it up from my public library.
The artwork is nice. I particularly enjoyed this depicted of the Bender family’s one-room grocery and inn to demonstrate how they pulled off the serial killings.
The content is factual and is careful to steer clear of using quotes in the panels when we don’t actually know what anyone said.
What made me dislike the book, though, was how it treated both Indigenous peoples and women. I understand that sometimes in historic nonfiction if a quote is being used or documents from the time period that it will use offensive language. However, this book used offensive language in parts that were narration written by the modern day author. It was published in 2007, and I truly feel someone on this book team should have been more thoughtful. A near-victim of the Benders was a Catholic missionary to the Osage people. Instead of saying it this way, though, the book says he, “dedicated his life to converting the savages.” This is the use of both a dehumanizing term and a glossing over of how missionary work was used as a weapon against Indigenous peoples in the Americas. This is a book about serial killers – I think whoever is reading it should be able to handle at least a footnote illuminating the complexities of this person’s missionary work.
With regards to the treatment of women, this is mostly in regards to how Kate Bender is discussed in the book. She is one of the four Bloody Benders, so I certainly don’t expect her to be discussed kindly, however while most of the book strives to stick closely to the truth as far as we know it, there is one part of the book that breaks down how folks determined the Benders pulled off their killings, based on the layout of the room, the trap door found, and reports of survivors. Most of this sticks to the facts, but then it gets to the part where Kate feeds the person sitting down at the guest table and says, “Does Kate also offer sexual favors as part of the package? No certain answer will ever be known.” What an unnecessarily and misogynistic supposition. Nothing that we know about Kate from survivors and those who knew her suggests she was promiscuous at all. In fact, earlier in the book it mentions she entertained suitors who ran errands for her but the suitors were never successful with her. Later when the book discusses possible endings for the various Benders that the rumor mills supposed, one proposed for Kate is as “a whore in Montana.” I trust that this was a true rumor, but it could have very easily said prostitute or sex worker.
True crime writing has the opportunity to analyze a crime and the society that surrounded it through a current lens. It can highlight both the good and the bad of that society and look at how this crime managed to occur, and, in the case of some crimes, go unstopped for so long. This book doesn’t do that, making it a beautifully illustrated reporting of what happened, lacking any analytical meat.
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2 out of 5 stars
Length: 76 pages – short nonfiction
Source: Library
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Book Review: The Sentence by Louise Erdrich
A previously incarcerated Indigenous woman loves her job at an independent bookstore focused on Indigenous literature right up until the store’s most annoying customer dies and begins haunting it.
Summary:
A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store’s most annoying customer. Flora dies on All Souls’ Day, but she simply won’t leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading with murderous attention, must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning.
Review:
It’s a good thing I didn’t see that this book is magical realism or I wouldn’t have picked it up. You see, I had a serious misunderstanding of what magical realism is and thought I didn’t like it. In fact, I like it very much. I only wish I had first been introduced to it by the excellent explanation from Master Class originally. I’m excited that this book has helped me see past the magical realism label.
The thing that I love structurally about this book is how the title has so many different meanings. There’s the sentence that Tookie serves for her crime. There’s the sentence found within the book that Flora is reading when she dies. And there’s many other sentences throughout the book. I love when one title has many meanings.
The book starts with Tookie thinking back briefly on her incarceration and what landed her there. Part of what made the beginning so readable was how Tookie told this story. It was like speaking with a friend about a piece of their past. Raw and real but quick and to the point. It got me invested in the book right away. Then we jump to Tookie’s present, working in the bookstore, and the haunting, and this is utterly engaging right away as well. Tookie is flawed but so relatable. I think most readers will find her to be this way because she’s such a huge reader herself.
I also found her relatable because she’s in long-term recovery. I like how she sometimes thinks about how she was but it’s not like any single bad day gives her an urge she has to fight. A lot of times in literature and movies only early sobriety is shown, and the fact is, the experience in long-term recovery is different. I was so glad to see that in Tookie, and to see her breaking the multi-generational disease. But I also appreciated the very realistic depiction of her being concerned about talking about the haunting with her husband, Pollux, for fear he would think she had relapsed. I also should mention that both Tookie and her niece are bisexual. Their sexual fluidity is never judged or questioned. It’s just a part of who they are, which I really appreciated.
The book centers around a difficult question that it doesn’t provide answers for. Flora is a “wannabe Indian.” She’s a white woman who claims Indigenous heritage based on one photo she says is of a great-grandparent. The Indigenous community is dubious but doesn’t want to tell her she can’t belong. She spends much of her life working for the betterment of Indigenous people, including even taking in an unhoused teenager and caring for her so much that when she’s grown she refers to her as mother. So everyone has complex feelings about her. There are also some scenes that show white people behaving in offensive ways and smoothly depict how hard it is for Indigenous people to deal with these aggressions on a regular basis. One that really stuck in my mind was the white woman who shows up at the Indigenous bookstore and talks about her grandmother reassembling Indigenous bones she found on her land and winning a blue ribbon for it. She doesn’t understand why this is offensive to the Indigenous people she’s speaking with. To me the examples like this throughout the book demonstrate two types of white people who are hurtful to Indigenous people. The book is never preachy with these scenes. They come across as very realistic depictions of, unfortunately, regular interactions between Indigenous people and white people. If you yourself aren’t sure why these two types of interactions are hurtful, then I think this book would show you.
I wasn’t sure how I would feel reading a fictional book set during the first year of the pandemic. Overall, even though Tookie’s experiences and mine were different from each other (she was much older than me and had an essential worker, public facing job), I still found it realistic and relatable. The book never dwelled too much on any individual aspect of the pandemic but had scenes that were necessary reminders of how things were in the early days, like when Tookie goes to the grocery store to stock up just in case and ends up buying the best she can from what’s left, such as a tube of cookie dough. Similarly, Minneapolis was where George Floyd was killed and followed by the protests that spread throughout the country in 2020, and so this had to be a part of the book. At the start of the book it’s established that Tookie’s husband, Pollux, is who actually arrested her. By the time she was out of prison, he had left the tribal police force. But her household still must deal with the complex situation of having a previously incarcerated person and an ex-cop in the same household during this tumultuous time. There’s also the nice addition of Pollux’s niece, Hetta, living with them and, as a young person, being more involved in the protests. This thoughtful characterization allowed for multiple perspectives on the protests. For example, while there is support, there is also sadness and concern about the small businesses being impacted.
In spite of all that comes in the middle, the last part of the book deals mainly with Tookie’s relationship with Pollux and Tookie dealing with Flora’s ghost. This provides closure even while the reader knows the difficulties didn’t end in November 2020. In many ways I found this to be a story about relationships and reconciliation.
Overall, this is a strong piece of contemporary magical realism. If you’re ready to read a book featuring the pandemic while not being about the pandemic itself, this is a great place to begin.
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4 out of 5 stars
Length: 387 pages – average but on the longer side
Source: Library
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Book Review: Long Story Short: 100 Classic Books in 3 Panels by Lisa Brown
For English literature lovers who want to explain why they loved…or hated…a classic in one comic.
Summary:
100 pithy and skewering three-panel literary summaries, from curriculum classics like Don Quixote, Lord of the Flies, and Jane Eyre to modern favorites like Beloved, The Brief Wondrous Life of Oscar Wao, and Atonement, conveniently organized by subjects including “Love,” “Sex,” “Death,” and “Female Trouble.”
Review:
I became interested in this book because the amazing website American Indians in Children’s Literature described the comic about Little House on the Prairie but when I checked out the link I found the comic gone and a prompt about the book. In fairness, it had been more than 12 years since that article was published so I’m not too surprised Lisa Brown got a book deal in the meantime. It came in quite quickly for me from the library, and I read it in less than 30 minutes.
Rather than being organized by time period, the classics are organized by topic like “Love” and “Death.” This is also an inclusive definition of classics including ancient literature like Beowulf to modern pieces like The Fault in Our Stars. I like her illustration style. It’s colorful and engaging. You can see examples of actual panels from the book on her website. (It doesn’t include the Little House one but it does include one of my other favorites from the book – Edgar Allan Poe.)
You might think this is a way to Sparknotes your way through 100 books. This is not the case. The comics that were the funniest and most meaningful were the ones for books I had read. The ones for pieces I hadn’t fell kind of flat for me. This is actually sort of like a collection of inside jokes from one reader to another, and in order for the inside joke to make sense, you have to have read the book in question. That said, a couple of the comics for books I had read fell flat for me because I felt like they missed the point of the book. For example, I felt like the comic summary of Their Eyes Were Watching God was a very poor summary of an absolutely amazing book. So my experience of the comics was kind of all over the place.
Overall, this is an interesting collection of short comics drawn in an engaging manner. Recommended to big readers who want a couple of inside joke style chuckles. It could also make a good gift to a big reader you know.
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3 out of 5 stars
Length: 80 pages – novella
Source: Library
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Book Review: Never Ever Getting Back Together by Sophie Gonzales
If you’ve ever wished that two of the women – any two of the women – on a reality tv dating show would just get with each other instead of pining over the questionable man they’re supposedly there for, this one is for you.
Summary:
It’s been two years since Maya’s ex-boyfriend cheated on her, and she still can’t escape him: his sister married the crown prince of a minor European country and he captured hearts as her charming younger brother. If the world only knew the real Jordy, the manipulative liar who broke Maya’s heart.
Skye Kaplan was always cautious with her heart until Jordy said all the right things and earned her trust. Now his face is all over the media and Skye is still wondering why he stopped calling.
When Maya and Skye are invited to star on the reality dating show Second-Chance Romance, they’re whisked away to a beautiful mansion—along with four more of Jordy’s exes— to compete for his affections while the whole world watches. Skye wonders if she and Jordy can recapture the spark she knows they had, but Maya has other plans: exposing Jordy and getting revenge. As they navigate the competition, Skye and Maya discover that their real happily ever after is nothing they could have scripted.
Review:
I’m revealing my age here, but in high school I definitely watched the very first season of The Bachelor (and a few of the following ones). I wasn’t yet out to myself, but even so found myself wondering why the women were such better catches than the man. Apparently, long after I stopped watching, in 2016 two of the women contestants got together with each other. But this happens far less frequently than one might imagine. In any case, when I saw the plot description for this book, let me tell you, I smashed the request button on NetGalley without paying too much attention beyond – two women on a reality tv dating show get together.
Beyond the reality tv show wrapping, this uses the enemies to lovers romance trope. I’ve historically avoided this trope because I had a hard time conceptualizing how I could root for someone to get together with someone they start off disliking strongly. This book showed me otherwise, though. Although it starts in Maya’s perspective in just a couple of chapters it shifts to Skye’s so it becomes easy to see how these two women have come to dislike each other based on a bad misunderstanding. So there’s not actually something enemy-worthy about either of them. That said, both of them are flawed (as are well all) but with the enemies to lovers they start out only seeing the flaws then start to see what’s great about each other. It makes for a really realistic depiction of a healthy relationship at the end, because it’s not all rose-colored glasses. Also, I really like how they move from enemies to women supporting women to women loving each other.
This book is also hysterically funny. I legitimately laughed out loud multiple times while reading it. Representation is decent. Two of the secondary characters are people of color, and one is gay. Both Skye and Maya are bisexual. Because Jordy hid his two-timing ways easily since his family moved all over the world, his exes are also international. Chalonne is funnily contrived in much the way Genovia from The Princess Diaries was. (Incidentally, this got me to wondering if European writers set books in fake countries in the Americas the way we seem to make up fake European monarchies. It seems like most of them that do exist are more of an alternate history where either fascism takes over or the colonies never won independence sort.)
There were three things I wasn’t so keen on in the book that held me back from five stars. First, I just didn’t feel like these characters were 18. They read as more like just out of college than just out of high school to me. It was easy for me to give that a pass, though, because I just headcanoned them older. Related to my mistaken belief that they were older when I started reading it, in the first scene, Maya is at a bar and not drinking. Oh nice! I thought. Representation of sobriety in a romance. But no. She was just under the drinking age in the US. As soon as she gets to Chalonne, where the drinking age is 18, she starts drinking. A lot. Just not wine because she thinks it’s icky. So that was disappointing to me. I also wish that the scene where she has too many vodka jello shots was more realistic. Binge drinking for people assigned female at birth is 4 drinks in one sitting. She has way more than that. She should have been very sick as opposed to having a mild hangover that passed by lunchish. I refuse to believe this reality tv show would have gone light on the vodka when we all know they like for contestants to get drunk. To be clear, while I personally would like to see more romances depicting sober people, I understand it’s realistic to show people drinking. But if we’re going to show them drinking and drinking too much in one night is a plot point, let’s be realistic about how much is too much for a person in a body assigned female at birth. Last, while I get it that Jordy needs to be the bad guy, he’s such a bad guy that I struggled to understand how all these nice women fell for him at all to begin with. I understand from Maya’s perspective he’s gross for valid non-physical reasons (the cheating, the lying, etc…) but we do have the chance to see Skye’s perspective as well, and it’s not clear to me from hers what she sees in him either. Maybe even if just in one of the first scenes where Jordy takes his shirt off Maya found herself attracted to him in spite of knowing his douchey ways, that would have helped me to understand. But she even seems to be turned off by his looks. It left me scratching my head a bit.
Overall, this book was a breath of fresh air, featuring two women bisexual leads who fall for each other surrounded by a very humorous reality tv setting. While some of that setting was a bit difficult to believe, the enemies to lovers plot was so enjoyable that it was easy enough to just focus on them.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
4 out of 5 stars
Length: 384 pages – average but on the longer side
Source: NetGalley
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