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Book Review: Dead in the Family by Charlaine Harris (Series, #10) (Bottom of TBR Pile Challenge)
Summary:
With the Fae war at an end, Sookie tries to return to some semblance of normal, working on both physical and emotional rehab. Although she has feelings for Eric, she is uncomfortable with his insistence that she is his wife, even if she technically is by vampire law. Plus, his maker and his new vampire-brother show up, putting a strain on the relationship. Meanwhile, the ramifications of the shifters coming out are beginning to be felt, and Sookie’s fae cousin, Claude, moves in with her, missing the presence of other fairies.
Review:
I just need to take a moment to point out two things. 1) The last time I read/reviewed a Sookie Stackhouse book was in October of 2010. This is why I started the Bottom of TBR Pile Challenge for myself. Books (even series books!) were getting lost in the pile! 2) Every time I look at that cover I think for a brief moment that Eric is bald. Something is just off in that painting. Now, on to the book.
Even though I read it almost three years ago (seriously, holy shit), I still clearly remember really enjoying the ninth book of the series. It was action-packed with lots of development of both plot and character. It reinvigorated the series for me so much so that even this much later, I was excited to pick up the next book. I should have known it would fizzle some after the action of the last book. It’s not easy to keep that much tension and action going, and it’s not like there weren’t any lulls earlier in the series. What I can mostly say about this book is that nothing much happens. Seriously. It’s longer than some of the books but less happens. I suppose technically things do happen. Eric’s maker shows up with a new vampire-brother for Eric, the hemophiliac Romanov brother, who is just not quite right in the head. This leads to some interesting development of Eric’s background, but not a ton. And it just isn’t all that intriguing. Similarly, even though logically it should be very interesting that Claude shows up at Sookie’s and the weres sniff out two fairies around, but it just isn’t. They sound interesting on the surface, but when you’re reading the book it mostly feels like you’re hanging out at Sookie’s house eating a cookie and wondering if the calories are worth it to listen to her yammer on.
I think the crux of the problem might be that neither Sookie nor Harris is comfortable with Sookie being with Eric, in spite of the reader liking Sookie being with Eric. If it’s not within the character for her to be with Eric, then a break-up needs to happen, regardless of what the readers like seeing. It’s important to keep characters acting within character. Interestingly, Sookie has started to notice that she is aging and thinking about what it will be like to slowly grow old and die. She seems to be seriously considering her vampire options. But we all know Sookie doesn’t want to be a vampire. Sookie wants children. If she gives that up to be a vampire, it will make the series take an incredibly dark turn. The next book will be an important one. It’s basically a shit or get off the pot moment for character development, and in spite of the ho hum nature of this entry in the series, I am interested to see if things pick up in the next book in this regard. They tend not to slump for long in Sookie Stackhouse-land.
There’s not too terribly much else to say about the book. Weaknesses that are there earlier in the series are still there. Sookie isn’t very smart and is kind of annoying. The sex scenes continue to be cringe-inducing. But the world is complex and fun to visit, even when not much is happening there. Sookie does need to start taking some agency soon though, or being stuck with her first person narration may become a bit too much to handle. Readers of the series will be disappointed by this dull entry, although it won’t come as a surprise since lulls happen earlier in the series. Enough happens to keep some interest up to keep going with it though.
3 out of 5 stars
Source: PaperBackSwap
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Dead And Gone
Book Review: Where the Blind Horse Sings: Love and Healing at an Animal Sanctuary by Kathy Stevens (Bottom of TBR Pile Challenge)
Summary:
When Kathy Stevens decided to change careers mid-life, she wanted to do something that would help animals and let her teach. She landed on the idea of founding an animal sanctuary. But this book is very minimally about Kathy. It is mostly about the animals that came to find a safe haven at the sanctuary she founded. Animals like Rambo the sheep who guards other animals. Paulie a former cockfighting rooster who loves car rides. And of course a blind horse once terrified to move who now goes for trail rides.
Review:
This book wasn’t what I was expecting, which was an account of setting up and running an animal sanctuary. Instead it is a collection of short stories about individual animals who live at Catskill Animal Sanctuary, in the vein of James Herriot, although not quite to that classic’s level.
The stories are roughly grouped based on the situations that led the animals to the sanctuary, their personality, and of course some ultimate peaceful deaths at the sanctuary. I was a bit frustrated that instead of telling one animal’s story end to end, they were split up among sections. I can understand not wanting to end every chapter with an animal’s death, but I also think seeing one animal’s life in a complete story would be more touching. On the other hand, I also appreciated how clearly the different animals’ personalities were drawn without ever venturing into the land of hypothesizing. One doesn’t have to impose their own beliefs on an animal to clearly see the difference between a hurt, abused animal and a happy one. Stevens presents the difference quite clearly without venturing into speculation, which I think will give the book the broadest audience.
In spite of the dark past lives of these once abused animals, the book is a light read, both in spirit and in content. You won’t learn the nitty gritty of founding and running an animal sanctuary, which I think is too bad. It’d be nice if there was even an epilogue about more of the day to day realities of rescuing animals. On the other hand, the light, easy read gives the book a broader audience. It also features a suggested further reading list at the end, as well as links to the sanctuary’s website and invitations to visit, so those who want more can seek it out.
Overall, this is a well-written, feel-good collection of stories of the animals of Catskill Animal Sanctuary. It doesn’t provide much insider information on the running of animal rescue charities, but it does provide insight into the personalities of farm animals. Recommended to animal lovers who enjoy short stories.
4 out of 5 stars
Source: Amazon
Book Review: The Wanting Seed by Anthony Burgess (Bottom of TBR Pile Challenge)
Summary:
In the near future world with no war and totalitarian governments there’s an ever-looming threat of starvation thanks to overpopulation and diseases attacking the crops. The governments have responded with worldwide one child policies and psa campaigns to encourage homosexual relationships. Englishman, Tristram Foxe, lives in a skyscraper with his wife, Beatrice-Joanna and works as a social studies teacher. But his advancement suffers both from his status as a person with siblings and as a married man with a child. When he discovers that his wife is cheating on him with his passing as gay brother who works for the Infertility Bureau, his world falls apart just as the world around him tilts from totalitarian regime to cannibalism and pagan fertility rituals.
Review:
When I picked up this book, the summaries I’d seen were nowhere near as clear or straightforward as the one I just wrote for you. I’m not sure I would have ever picked it up if I’d had an inkling of an idea as to what I was getting myself into. All I saw was a dystopian overpopulated future by the same author as A Clockwork Orange
The first half of the book reads like a treatise by a Quiverfull (Evangelical Christians who believe in having as many children as possible, more info) with some terror of a hyper-liberal future where people are denied their right to choose to have children (funny how they fear that but don’t get that pro-choice is all about protecting a woman’s right to choose what to do with her own reproductive organs but that’s another rant for another day), and people are forced into being gay/lesbian. I know this sounds like it could be an interesting flip-flop of current times, but it didn’t read that way for me. It read as a lot of homophobia and yelling about how population control goes against god’s plan and going against god’s plan sends the plagues. Seriously. That’s how it reads. But, I traveled on because this is Anthony Burgess, and characters don’t have to be likeable. They could be used to show the opposite point. But that’s not really what happens. What happens is that this set-up gets ditched for a mad-cap dash through sociology.
The last half of the book is kind of an interesting sociological exploration of how the world moves through the liberal/conservative/military cycle. It is mad-cap and bizarre, and as a person with a BA in History, I really enjoyed seeing a country move through those cycles at rapid-fire in a slapstick humor style. This part of the book felt like an entirely different book in fact. But I also think only a certain type of person would enjoy it. (Like, oh, Political Science and History majors).
As for character development, there is none. Everyone ends up pretty much where they started after having lived through the cycles of political change. It really reminds me a lot of playing Civ or SimCity where you move artificial people around to illustrate greater points. I enjoyed this alright, but I would have preferred stronger characterizations or at least some growth.
So, is the book a phobic conservative dream of what a liberal society would look like? I don’t think so. I think Burgess actually presented each part of the political cycle as awful, including the fall into tribal-feeling paganism. It sort of felt like the book was saying that someone somewhere will always be unhappy no matter what the political/sociological situation is. Depressing, huh? And yes I know it’s dystopian and lot of people think dystopias are innately depressing, but personally I think they can frequently offer a lot of insight and hope for the future. This just felt a bit defeatist. With some Quiverfull and homophobic characters to boot.
Overall I’m left feeling decidedly no reaction either way to this book, which is not what I was expecting from Burgess. I was neither offended nor enlightened and mildly entertained but I could have had the same entertainment from playing Civ on my computer. I think this book best appeals to readers who also enjoy studying political science or the history of societies, but even they should proceed with the caution that this is decidedly a mad-cap, non character-driven look at those topics.
3 out of 5 stars
Source: PaperBackSwap
Book Review: Dagon by Fred Chappell (Bottom of TBR Pile Challenge)
Summary:
Peter doesn’t know much about his father’s side of the family as his mother left him when he was little. Now, a married pastor, he returns to his father’s parents’ house, a recent inheritance. Slowly he discovers the cultist history of his family and begins his descent into madness.
Review:
There aren’t that many books in the Lovecraft mythos, so when I spot one, I almost always add it to my wishlist and pick it up if I spot it. (I’m a big fan of the mythos, and my current work in progress is set in it). I spotted this one during one of Better World Books’ periodic sales and got it for just a couple of dollars. The problem with the world of Lovecraftian horror is this. The mythos is great, but a lot of the books/movies set in it are a swing and a miss. Which is sad for me as a reader, because I know that this is an author with the same funky interest as me, so I want it to work. I want it to work very much. It just doesn’t always. This, unfortunately, falls solidly in the swing and a miss category for me.
The germ of the story is a great idea. An ostensibly mainstream “good” man following his roots and falling into a dark god worshiping cult. Brilliant. The execution is weak, however. The cover of my copy of the book claims that it is a “novel of blinding terror.” This is just not the case. In some ways I feel that Chappell just tried too hard. The entire first chapter is meant to set the scene with extremely heavy-handed gothic language, but it is just painful to read. The first chapter describes one room of the house. Excessive energy is spent trying to make even the throw pillows seem malicious. It is too over-the-top and becomes laughable. Thankfully, the next chapter abandons the excessive language, but it is still never scary. It is titillating at a couple of points. Engaging as well. But never terrifying.
Part of the problem is that the book fails to build suspense from beginning to end. It builds up in part one to a singular event, but then immediately crashes back down to a period in part two in which Peter lies around in a depressed funk. While this might be realistic, it does nothing to build the suspense. The suspense thus must start all over again. This may be acceptable in a long work (and even then I’m dubious), but in such a short book it’s just jarring and ruins the suspense.
I also found the ultimate payoff to be a bit disappointing. While we find out one or two things about Peter’s family, we don’t get enough details to truly experience shock or horror. Similarly, the ultimate final descent of Peter was a bit disappointing. He doesn’t engage in any agency or become a committed cultist. A lot of cult things are done to him, but he doesn’t really have the descent into madness promised. He is tortured and made into a slave and has the mental and emotional breakdown such experiences could make someone experience, but he himself doesn’t turn into a raving Dagonite, for instance.
That said, there are some things that worked in the book. As stated previously, the germ of the idea is great. Peter’s nemesis/mentor, the tenant farmer family’s daughter, is delightfully powerful and sinister. A couple of scenes were a great mix of titillation and horror, and the final climax was definitely a surprise.
Overall, then, it’s a book that tries to be a terrifying, gothic horror, but instead is a titillating grotesque bit of southern literature. Fans of the Lovecraftian mythos will appreciate it for this, although the Lovecraftian elements themselves are sparse and a bit disappointing. Recommended for big fans of grotesque, fantastical horror who don’t mind it leaning a bit more toward the grotesque than the scary side of horror.
3 out of 5 stars
Source: Better World Books
Series Review: The John Cleaver Series by Dan Wells
Introduction:
I post series reviews after completing reading an entire series of books. It gives me a chance to reflect on and analyze the series as a whole. These series reviews are designed to also be useful for people who: A) have read the series too and would like to read other thoughts on it or discuss it with others OR B) have not read the series yet but would like a full idea of what the series is like, including possible spoilers, prior to reading it themselves or buying it for another. Please be aware that series reviews necessarily contain some spoilers.
Summary:
Fifteen-year-old John Wayne Cleaver is not a serial killer. At least not yet. John’s therapist believes he has Antisocial Personality Disorder, commonly known as sociopathy, although he can’t legally deliver the official diagnosis until he’s 18 years old. But both his therapist and himself hope John can learn to control his illness in the meantime. An illness John refers to as Mr. Monster. This becomes more difficult as a serial killer shows up in his town. John starts to wonder if he can harness Mr. Monster to find and kill the killer. A killer he soon learns is supernatural and ultimately faces. The demons continue coming to his town, and John feels his grasp on control and an ability to function in average society slipping. Are there really more and more demons coming to his town? Or is it just his sociopathy getting the better of him?
Review:
This trilogy starts with an incredible bang, but makes a slow trajectory downward to end on a whimper.
The first book is incredible. It bashes ableism on its head by featuring a main character who is a teenager struggling with a mental illness, and not an easy one to identify with either. People with APD lack empathy, which can make it difficult to empathize with them in return. Wells carefully crafts a realistic yet sympathetic teenager with APD. His struggles to defeat his mental illness and be a functioning member of society are great to see in a novel period, let alone in a YA one. On top of this, we have a single mother running a business with the help of her just graduated high school daughter and part-time help of her teenage son. It’s the perfect mix of non-traditional and yet not off the wall family to have as a backdrop for John. We have all this, then, with a thriller plot that starts with the hint of a serial killer then deliciously builds to the revelation that the killer is a demon. This fantasy element fits perfectly in with what is hot in YA right now, giving an interesting, unique main character an appealing wrapping.
I was stoked after reading this and had high hopes for the trilogy. The middle book maintains some of the elements that made the first book amazing but missed on others. On the plus side, John is still who he was in the first book, although with more confidence. He tries to date, and his family has their own struggles. Although the thriller pacing is less deftly done, it still works in the context of this book, particularly since the middle book of a trilogy is traditionally setting things up for the last hurrah of the final book. Plus this book manages to accomplish two things. It has John learning more about himself and his mental illness and it shows him learning more about demons. It ends on a powerful note with him inviting one of the demon’s friends to Clayton County to face off with him. He’s tired of waiting for things to come to him and is ready to go on the offensive. Thus, although this book wasn’t as strong as the first, I had high hopes that it was setting us up for a powerful final book in the trilogy.
Things really fall apart in the final book, which is what makes the trilogy taken as a whole disappointing. Everything is building toward the final book. Toward what John ultimately learns and what he ultimately becomes. Unfortunately the answers to both of those questions are a major let-down after the unique and albeism-smashing features of the first two books. In the climactic scene, John’s mother sacrifices herself to save her son. When he loses her, he realizes that he is feeling feelings. He’s feeling the pain of losing her. When he realizes this, the lightbulb goes off in his head that he stopped feeling feelings when his father abandoned them. It was just him trying to deal with his broken family. I shit you not. And then he decides he has been healed by his mother’s death. His mother’s sacrifice opens him up to letting himself feel things again. What. The Fuck.
First of all, going numb after being badly emotionally hurt is a real thing. But it’s not a real thing that would be mistaken by a therapist as Antisocial Personality Disorder. And being numb doesn’t mean a person starts daydreaming about killing everyone around him and the girls he has crushes on in particular. Numb is not the same as lacking empathy, and it honestly doesn’t even take a therapist to see that. Numb looks and feels different from sociopathy. They are not the same thing and simply could not be mistaken for each other. If we decide that perhaps Wells didn’t mean to imply that John was simply numb and didn’t have sociopathy, then we can only read this as saying that John’s father abandoning the family *caused* his son’s sociopathy and that his mother’s sacrifice cured it. I’m sorry, but your dad running off does not give people Antisocial Personality Disorder, and it certainly isn’t cured in the span of 10 minutes by someone sacrificing their life for yours. (By the way, does anyone see the heavy-handed religious symbolism in that? Because it is definitely there). The cause, as with many mental illnesses, is officially unknown but is believed to be a combination of genetics and severe environmental factors such as child abuse (source). Since John is not abused, then we can only assume that in his case his APD is genetic. It is utterly ridiculous to present the matter as his APD being caused by something as simple as a parent leaving. Similarly, there is no cure for APD. People do not get magically better overnight. It can be managed so a person may have a healthy, normal life, but it does not just disappear. The symptoms do sometimes become less severe on their own in a person’s 40s (according to the DSM-IV-TR), but John is not 40, and he doesn’t suddenly get better thanks to aging. The whole climax of the series turns the series from being about a person with a mental illness learning to function and do positive things into a story about how a father abandoning his family destroyed them and almost ruined his son for life. The former is unique and powerful. The latter is heavy-handed and preachy. Plus that whole dynamic belittles mental illness and makes it out to be just overcoming a bad part of your life, rather than the very real illness that people deal with every day.
So what we have here is a trilogy that starts as one thing and ends as another. It starts as a thriller with a unique main character demonstrating dealing with mental illness in an engaging, realistic manner. It ends with a thriller that quickly goes from spine-tingling to heavy-handed and preachy. It is unfortunate that this preachiness also gets the facts about a mental illness wrong and presents these false ideas to a YA audience in such an attractive, fantastical thriller wrapping. Ultimately the writing is good but the last book in the trilogy takes a nose-dive when it comes to facts and the realities of having and living with a mental illness. Thankfully, one can read the first or first two books in the trilogy without reading it all. There are not major cliffhangers that compel the reader to continue on, and the first two books stand on their own well enough. I’m disappointed that the series as a whole is not something I can recommend whole-heartedly. I’m disappointed that after starting out so strong, Wells went so far astray. That doesn’t change the quality of the first two books, though, so I still recommend them. But only if you’re capable of leaving a series partly unread.
3 out of 5 stars
Source: PaperBackSwap, Audible
Books in Series:
I Am Not A Serial Killer
Mr. Monster 
I Don’t Want to Kill You
Book Review: Blonde Bombshell by Tom Holt (Bottom of TBR Pile Challenge)
Summary:
A sentient bomb is hurtling through outer space toward Earth, better known to the bomb creators as Dirt. You see, Dirt’s music is making the inhabitants of Ostar (a canine species) completely loony. But the bomb stops in its tracks and orbits around Dirt to try to figure out whatever happened to the *first* bomb that the Ostars sent out. Dirt doesn’t seem to have any sophisticated defense system to speak of, so what gives? Meanwhile, Lucy Pavlov, the creator of new computer programming protocols that led to a leap in technology, is seeing unicorns in her forest. Also a bank security executive is trying to figure out just how, exactly, money is teleporting out of banks. In between getting very drunk and trying to forget about that one time aliens stole his dog.
Review:
This made it onto my TBR pile thanks to multiple comparisons to Douglas Adams’ Hitchhiker’s Guide to the Galaxy
The plot is complex without being confusing. It revolves around three people (well, one is a bomb) who are connected in mysterious ways they just don’t know yet. It kept me guessing, managed to surprise me a few times, and had some delightfully creative elements, such as the fact that the bomb can create probes to send down to Earth that appear to humans like organic matter. Or even the fact that the bomb can sit there and slowly decide whether or not to go off. Clever.
I also appreciated an imagined future where people have handheld devices that are given a simple name rather than compounding a bunch of words together. The former makes more sense since in reality that is what companies do. (For instance, Google Glass or iPad as opposed to handheldpersonaldevice. Don’t laugh. I’ve seen something very similar to that in scifi). In this book the iPhone device is the Warthog. With no further explanation given. This is scifi done well. The reader can tell what a Warthog is from how the characters use it. Holt never over-explains.
The characters were rather two-dimensional, but that works well for the humor, not to mention for the fact that one of them is a bomb. If a character has a good heart but is a lazy drunk because aliens stole his dog, well that’s enough for the reader to know in a book like this. Motivation enough is present for the characters to be recognizable as people and to move the plot forward.
As for the humor, I found it quite witty, although not quite as gut-wrenching as Hitchhiker’s Guide to the Galaxy
Now, I was a bit let-down by the ending. I didn’t really like the final plot twist. It kind of….creeped me out a bit and left me on a bit of a down note instead of the delightful upswing I felt throughout the rest of the book. I think other people might enjoy it more than me. It really depends on your feelings about people and pets and having pets. It’s not enough of a let-down to keep me from recommending or enjoying the book. It was just enough to keep it from 5 stars.
Overall, this is a delightfully witty piece of scifi with a unique plot. Recommended to scifi humor fans, particularly those who enjoy Douglas Adams.
4 out of 5 stars
Source: PaperBackSwap
Book Review: The Long Quiche Goodbye by Avery Aames (Series, #1) (Bottom of TBR Pile Challenge)
Summary:
Charlotte Bessette is ecstatic that her slightly eccentric French grandfather and grandmother have handed over the running of their small town cheese shop to her and her cousin, Matt. She and Matt have redecorated the place for the 21st century and have added a wine annex. Everyone is excited for the grand re-opening but when their landlord turns up dead on their doorstep stabbed with one of their cheese knives and Charlotte’s grandmother standing over him, both the shop and the family are at risk.
Review:
Cozies are, by their very nature, absolutely ridiculous and difficult to explain. I generally default to an explanation like, “It’s murder! With arts and crafts and cooking! But not too much blood and no sex! And the titles are puns!” At this point the person I’m talking to generally looks at me like I’m nuts and wanders off. But even though the cozy genre is ridiculous and tough to explain, there are things that work for it and things that don’t. This book is definitely a cozy but it combines the cozy elements oddly, making it fall short of awesome into the decidedly meh category.
Most cozies have a moderately ridiculous plot involving a dead body being found and a woman ultimately amateur investigating the crime. The crime in this one was odd. A landlord who nobody likes is stabbed directly in front of the cheese shop on grand reopening night. Oh, and he’s stabbed with a cheese knife. Sometimes I think authors just don’t research and realize how hard it actually is to stab someone in the chest. A cheese knife wouldn’t cut it. (See what I did there?) So that had me rolling my eyes from the start. The ultimate whodunit was also a bit bizarre and had me scratching my head. It made some sense but it also sort of felt a bit like the author just chose whoever would be the most surprising as the killer, instead of really thinking through the logic and motivation. It’s also a bit problematic to have the murder victim be some sleaze everybody in town hates. This felt like a choice to give the mystery more easy suspects rather than, again, based on thinking through logic, motivation, and real crimes.
Then there’s the issue of the main character, Charlotte, who ultimately investigates. She doesn’t really have the get up and go gumption necessary for someone to start investigating something on her own. She’s….kind of snooty and prissy. A good cozy main character should be into her arts and crafts but also possess a lot of independent spirit and gumption. Charlotte is surrounded by people like that–her grandmother, her shop employee–but she herself isn’t like that at all. Yes, her grandmother is accused of a crime she didn’t commit and that’s a big impetus to do something, but it just feels out of character for Charlotte to do investigation. Similarly, Charlotte’s romantic interest felt forced and fake, which was awkward. In a genre where we get no sex scenes, the romance should be very well done, which it was there, but it wasn’t truly engaging.
The quirky characters in the town, besides Charlotte and her love interest, were interesting and just the right blend of quirks and reality to suit a cozy. Similarly, I was glad to see some cheese-heavy recipes in the back. I also thought the pun title was great and played in well to the mystery without giving too much away.
Personally, I think there are better, more engaging and funny cozy series out there to invest my time in. However, if you are a huge cozy fan and don’t mind the oddly snooty, timid main character and a slightly silly mystery plot, then you should give it a go. The cheese angle is certainly unique.
3 out of 5 stars
Source: PaperBackSwap
Book Review: Succubus Dreams by Richelle Mead (Series, #3)
Summary:
Seattle’s succubus, Georgina Kincaid, has a lot on her hands between dating her human author boyfriend, Seth, (and not sleeping with him to protect his life energy), adjusting to her new managerial position at the bookstore, and her usual succubus requirement of stealing good men’s life energy by sleeping with them. So the last thing she needs is another new assignment from hell, but that’s what she’s getting. Seattle is getting a second succubus, a newbie she has to mentor. When she starts having dreams about having a normal, human life and waking up with her energy drained, it all turns into almost too much for one succubus to handle.
Review:
I don’t tend to expect urban fantasy series to improve as they go on, but I do hope they’ll at least maintain the quality I got in the first few books. Color me surprised then when I tackled the third book in the Georgina Kincaid series and discovered it actually got better. It got amazing in fact.
The premise of this series is already unique in urban fantasy. Our heroine is one of the “bad guys.” It of course is deeper than that. Mead presents the battle of good versus evil as far fuzzier and gray than many urban fantasy series do. I really enjoy those gray areas, and the moments where it’s easy to see and understand various viewpoints and sides. Because Georgina is a richly developed character and a conflicted succubus, she grows and changes over the course of the books, but her growth is not oversimplified to some direct trajectory out of being a succubus. If anything as Georgina comes to slowly, painfully understand the world around her and her own strengths and shortcomings, things become more convoluted and difficult for the reader to predict. This plot complexity in addition to getting the bad guy’s perspective is a large part of what keeps me coming back to the series, and it just is even better in this book. We learn more about what makes Georgina tick and see more glimpses of her past. It’s truly engaging.
Of course the other part that makes this series so addictive and readable is the super-hot and frequent sex scenes. Georgina is a succubus after all, and a girl’s gotta eat. Every scene manages to be erotic without being over-the-top, and they never become repetitive or boring. Some of them are simply sensual without any “official” sex happening. (Georgina has to give the man an orgasm for it to count). In this book alone we cover a performance at an exhibitionist club, a sensual foot massage, lap dances, bent over a desk as a school girl, and a standing session in a ritzy apartment in front of large windows (and I’m probably missing a couple that stood out to me less). And every single one of those has something going for it. In addition to the scenes there’s the added factor that, since Georgina is a succubus, she can shapeshift. Let’s just say, Mead uses this to the fullest of its potential.
The part of the plot that takes part only within this book, as opposed to the overarching series plot, is good. It brings in new elements of the underworld (and Heaven), without failing to revisit old ideas and characters. It is different enough from the previous plots to be engaging without being so different as to seem out of place in Georgina’s world.
This entry in the series is a hot read with an engaging plot. I could not put it down, and I was sorely tempted to run right out and buy the next book. Fans of the first two books will not be disappointed with the third and should continue on to it as soon as possible.
5 out of 5 stars
Source: Gift
Previous Books in Series:
Succubus Blues
Succubus On Top
Counts For:
Reading Challenge Wrap-up: Mental Illness Advocacy Reading Challenge 2012
As you all know, the one reading challenge I host is the Mental Illlness Advocacy (MIA) Reading Challenge. Since we’re into the last week of the year, I’d like to post the 2012 wrap-up.
This year, I read 8 books that count for the challenge, successfully achieving the Aware level.
The books I read and reviewed for the challenge, along with what mental illness they covered, in 2012 were:
- The Sparrow
by Mary Doria Russell
PTSD
4 out of 5 stars - The Story of Beautiful Girl
by Rachel Simon
Mental Retardation
4 out of 5 stars - Barefoot Season
by Susan Mallery
PTSD
4 out of 5 stars - Abject Relations: Everyday Worlds of Anorexia
by Megan Warin
Anorexia
4 out of 5 stars - A Long Way Down
by Nick Hornby
Depression
4 out of 5 stars - Haunted
by Glen Cadigan
PTSD
3 out of 5 stars - January First: A Child’s Descent into Madness and Her Father’s Struggle to Save Her
by Michael Schofield
Schizophrenia
4 out of 5 stars - Germline
by T. C. McCarthy
Addictive Disorders
4 out of 5 stars
The books I read covered genres from scifi to thriller to memoir to academic nonfiction to historic fiction. I’m also a bit surprised to note in retrospect that all but one of these books received four stars from me. Clearly the books I chose to read for the challenge were almost entirely a good match for me. It’s no surprise to me that I enjoy running this challenge so much then. :-)
The most unique book for the challenge was The Sparrow
If you participated in the challenge this year, please feel free to either comment with your list of reads or a link to a wrap-up post. I’d love to see what we all successfully read this year!
And if the MIA Reading Challenge sounds like a good match for you, head on over to the challenge’s main page to sign up for the 2013 iteration!
Finishing the Series Reading Challenge 2013
Hello my lovely readers!
Because life is so incredibly busy, I hadn’t been planning on participating in any of the many wonderful reading challenges in existence around the book blogosphere. (Beyond hosting my own, the Mental Illness Advocacy Reading Challenge, of course.) But when I received a GoodReads invitation to Socrates’ Finishing the Series Reading Challenge, I couldn’t resist because it fits in so well with my already established (in my head) reading goals for 2013. It’s incredibly simple. Choose a single (or multiple) book series you’ve previously started to finally finish reading during 2013. I already have a GoogleDoc of all the series I’m reading and was saying to myself, “Amanda, finish at least a few of these in 2013,” and doing that in the context of the fun that is a book blog reading challenge just makes me happy.
I’m currently reading 26 series. I know, I know. I’m not going to challenge myself to all of those, because then I’d only be reading series books all year. :-P But I am signing up for the highest level of the challenge: Level 3: 3 or more series.
So what am I pledging to finish?
- Georgina Kincaid series by Richelle Mead
#3 Succubus Dreamsreview 1/31/13, 5 stars
#4 Succubus Heatreview 12/25/13, 4 stars
#5 Succubus Shadows
#6 Succubus Revealed - Y: The Last Man series by Brian K. Vaughan
#8 Kimono Dragons
#9 Motherland
#10 Whys and Wherefores - Riders of the Apocalypse series by Jackie Morse Kessler
#3 Loss
#4 Breath John Cleaver series by Dan Wells
#3 I Don’t Want to Kill You- The Sparrow by Mary Doria Russell
#2 Children of God Katherine “Kitty” Katt series by Gini KochI will not be finishing this series, due to severe dislike of the third book. It’s a permanent dnf.
#3 Alien in the Familyreview, 10/3/13 2 stars
#4 Alien Proliferation
#5 Alien Diplomacy
#6 Alien vs. Alien
#7 Alien in the House
#8 Alien Research
For the Katherine “Kitty” Katt series, it is not yet finished, so I’m only pledging to books that are projected to be published before the end of 2013.
I also reserve the right to give up on a series if it starts nose-diving before the end. ;-)
Phew! That’s a lot of books…but it would also make a serious dent into my series list. So fingers crossed that I have good luck with it.
If the challenge sounds like a good match for you, be sure to check out the official challenge page!
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This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
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