Archive
Book Review: The Death of Mrs. Westaway by Ruth Ware
A moody, character-driven thriller about survival, intuition, and the blurry line between opportunity and deception.
Summary:
On a day that begins like any other, Hal receives a mysterious letter bequeathing her a substantial inheritance. She realizes very quickly that the letter was sent to the wrong person—but also that the cold-reading skills she’s honed as a tarot card reader might help her claim the money.
Soon, Hal finds herself at the funeral of the deceased…where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the centre of it.
Review:
I’m a big fan of Ruth Ware. With this book, I’ve now read eight of hers (all but two—I’m currently reading her newest release), although I’ve only reviewed four on my blog. When I spotted one I hadn’t read yet at the library, I figured it would be the perfect way to scratch my summer thriller itch while waiting for her latest.
As I was reading, I wondered if it was one of her earlier books. Although the main character is quite young, the writing itself also felt like a newer author’s voice. It turns out this was her fourth book. My hunch was right! I liked it more than the other early ones I’ve read—though I enjoy all of her work.
The book does a good job of making Hal likeable and well-rounded. She doesn’t believe in the tarot, but she’s not out to scam people either. She’s just trying to survive, doing her best with what she inherited from her mother. Both the booth on the pier and the knowledge to read cards (and people). Her grief, youth, and trouble with a loan shark add a sense of urgency and vulnerability that draws you in.
It would be easy to write the Westaway family as wealthy caricatures, but each of them (with the possible exception of the housekeeper) is written with a mix of strength and flaws. Even the housekeeper gains complexity later in the book.
That said, the plot depends heavily on a coincidence: Hal’s mother and her cousin had the exact same name—Margarida Westaway. That’s a pretty specific and unusual name for two relatives to share, especially in an upper-class British family. A quick explanation or justification for that naming choice could have made the premise easier to accept.
I didn’t figure out every twist, but I had the gist pretty early on. Some elements felt like things Hal probably should’ve picked up on too. But of course, it’s easier to put things together when you’re not the one in danger. The twists were still fun, and the ending was satisfying, even if it wrapped up quickly.
I especially liked how the tarot was integrated. Hal doesn’t believe in it literally, but she respects it as something people find meaning in, and she does her best to be helpful. It also connects her to her mother—not through magic, but through memory. When she recalls how her mother approached readings, it offers a window into her grief and her past.
There’s no racial or ethnic diversity in this book. That’s a missed opportunity, especially among the secondary characters or romantic partners. One of the uncles is gay and has a bisexual partner, but the bisexual representation is frustrating. The partner cheats, and it’s presented as an even worse betrayal because it’s with a woman. Oof. Hal acknowledges she developed problem drinking habits after her mother died and by and large chooses no longer to imbibe. (There is one night when she does).
There’s no sex in the book. The violence is mild by thriller standards: one drawn-out survival fight, a few off-page murders, and a jump-scare involving a dead body.
About the twists…spoilers in this paragraph.
It was fairly easy to guess that some sort of mix-up had happened between Maud and Maggie—both nicknames for Margarida. I suspected from early on that the woman who died in the car crash wasn’t Hal’s biological mother. That twist didn’t surprise me. The others—the fate of Hal’s bio mom and her father’s identity—were partially predictable. I guessed the mother was murdered and suspected the father did it. I thought it was the grandfather, given how no one mentioned him and how angry the grandmother was about the pregnancy. So I was surprised to learn it was actually the youngest uncle, Abel. The book frames him as the golden child—the one least abused by the family matriarch, but perhaps the most like her. That worked, even if it felt a little like older sibling wish fulfillment. But this also means Hal is the child of two first cousins, and the book doesn’t address that at all. Hal doesn’t even seem fazed. I had to remind myself that cousin marriage is legal in the UK, although it’s illegal in most U.S. states. Still, I would’ve liked at least a moment of acknowledgment or emotional reaction to this knowledge.
Overall, this was a fun thriller that delivered chills and mystery without being too gory or scary. About half the twists were predictable, but the rest kept me guessing. Strong characters and the layered use of tarot added depth. It’s not a perfect read, and it lacks diversity, but it’s a solid summer pick for fans of slower-paced, atmospheric thrillers.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items in my ko-fi shop, buying one of my publications, using one of my referral or coupon codes, signing up for my free microfiction monthly newsletter, or tuning into my podcast. Thank you for your support!
4 out of 5 stars
Length: 368 pages – average but on the longer side
Source: Library
Buy It (Amazon or Bookshop.org)
Book Review: A Cyclist’s Guide to Crime and Croissants by Ann Claire
A charming cycling tour in the French countryside takes a deadly turn in this cozy mystery, perfect for fans of Emily in Paris—if Emily spoke French and solved murders between croissant breaks.
Summary:
Nine months ago, Sadie Greene shocked friends and family by ditching her sensible office job in the Chicago suburbs and buying a sight-unseen French bicycling tour company, Oui Cycle. Now she’s living the unconventional life of her dreams in the gorgeous village of Sans-Souci-sur-Mer. Sans souci means carefree, but Sadie feels enough pressure to burst a tire when hometown friends arrive for a tour, including her former boss, Dom Appleton. Sadie is determined to show them the wonders of France and cycling—and to prove she made the right move.
She hopes her meticulously planned nine-day itinerary will win them over, with its stunning seascapes, delicious wine tastings, hilltop villages, and, of course, frequent stops for croissants. When Dom drags his heels on fun, Sadie vows he’ll enjoy if it kills her. That is, until Dom ends up dead. The tragedy was no accident. Someone went out of their way to bring a permanent end to Dom’s vacation.
As more crimes—and murder—roll in, suspicions hover over Oui Cycle. To save her dream business, help her friends, and bring justice, Sadie launches her own investigation. However, mysteries mount with every turn. On an uphill battle for clues, can Sadie come to terms with her painful past while spinning closer to the truth—or will a twisted killer put the brakes on her for good?
Review:
If you’re looking for escapist literature, this cozy mystery delivers. A delightful, trope-perfect entry in the genre, it checks all the essential boxes—a murder that happens off-page? Check. A love interest suspicious of the FMC? Check. A dream career and a picturesque setting? Triple check.
One of the challenges of cozy mysteries is giving the main character an aspirational life without making them unlikable. Sadie, however, is wonderfully relatable. Her backstory is both heartwarming and tragic, making her move to France feel earned rather than enviable. She originally planned to start a bicycle tour business someday with her best friend—until tragedy struck, and her friend was killed in a hit-and-run. This loss becomes the catalyst for Sadie’s life-changing decision, and she makes it happen through a mix of financial prudence (as a former accountant) and a seller who values passion over profit. It’s a compelling, well-crafted setup.
The week of the fateful tour, Sadie’s not-quite-family but family-like friends arrive from the U.S., ostensibly to take her tour—but really, to check up on her. This dynamic adds a layer of personal drama, making the tour more than just a random mix of clients (though there are those, including a sharp-eyed reviewer). The result? Plenty of tension before the mystery even begins.
The French countryside and cuisine are absolutely lovely to read about, and you don’t have to be a cycling enthusiast to enjoy the journey. That said, I personally loved the cycling details, from the Is an e-bike cheating? debate to the hardcore Tour de France trainees Sadie encounters along the way. (If you love cycling too, check out the Bikes in Space anthology I have a short story in.)
Unlike in some cozies, the first murder (yes, first) feels eerily realistic. While I enjoy a good poisoned pie moment, this crime—especially as a cyclist—felt alarmingly plausible, adding genuine weight to the investigation.
One thing I often struggle with in cozies is the detective as a love interest—I tend to find detectives off-putting. However, this one worked for me, largely because his investigative approach felt fresh and culturally distinct. It helped maintain the escapist feel rather than making it feel like a procedural.
Speaking of characters, despite the large cast, I never once lost track of who was who. Each character felt distinct without veering into caricature. That said, the diversity felt a bit Eurocentric—the most notable examples being a Ukrainian refugee and an ex-convict. While I enjoyed both characters, I would have liked to see a bit more variety in representation given the size of the cast.
Halfway through, I was convinced I had solved the mystery. I was wrong. And once the reveal came, I could see exactly where I had been misled—not in a frustrating way, but in a deeply satisfying one.
This is a fun, immersive cozy mystery with a likeable main character, a realistic first murder, and plenty of French countryside charm. Recommended for cozy mystery fans who love an escapist read with a side of cycling, crime, and croissants.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, using one of my referral/coupon codes, or signing up for my free microfiction monthly newsletter. Thank you for your support!
4 out of 5 stars
Length: 346 pages – average but on the longer side
Source: Library
Buy It (Amazon or Bookshop.org)
Book Review: The Cuban Heiress by Chanel Cleeton
Two women aren’t exactly what they appear to be on a cruise from NYC to Cuba in 1936.
Summary:
In 1934, a luxury cruise becomes a fight for survival as two women’s pasts collide on a round-trip voyage from New York to Havana in New York Times bestselling author Chanel Cleeton’s page-turning new novel inspired by the true story of the SS Morro Castle.
New York heiress Catherine Dohan seemingly has it all. There’s only one problem. It’s a lie. As soon as the Morro Castle leaves port, Catherine’s past returns with a vengeance and threatens her life. Joining forces with a charismatic jewel thief, Catherine must discover who wants her dead—and why.
Elena Palacio is a dead woman. Or so everyone thinks. After a devastating betrayal left her penniless and on the run, Elena’s journey on the Morro Castle is her last hope. Steeped in secrecy and a burning desire for revenge, her return to Havana is a chance to right the wrong that has been done to her—and her prey is on the ship.
As danger swirls aboard the Morro Castle and their fates intertwine, Elena and Catherine must risk everything to see justice served once and for all.
Review:
A delightful and unique mystery set in 1936 against the backdrop of the actual SS Morro Castle whose last cruise ended in tragedy.
The mystery is told in alternating pov’s of Catherine and Elena. I liked both women, and so enjoyed both pov’s. Elena is Cuban, and Catherine (“Katie”) is Irish-American. We know right from the beginning that Catherine isn’t the heiress she’s pretending to be, and that the world thinks Elena is dead when she really isn’t. What we don’t know is precisely why. Catherine seems at first to be running some sort of scam, and she’s an engaging and likeable scam artist. Elena is more of the strong and silent type, and it at first seems like she might be working on something tied to smuggling from Cuba. But it is clear that whatever she is doing has some non-self-centered motivation. Both characters are well-done and each get their own romances, although Catherine’s is much more fleshed-out. (This is a closed door romance.)
The time period is reflected in the settings and dialogue without overshadowing the main mystery. The mystery itself is really only a mystery because key pieces of information are withheld from the reader. That’s my least favorite type of mystery, so I was a bit annoyed by that. Since the boat is only docked for one day in Havana, we don’t get to see much of Cuba, and I would have liked to have seen more. Perhaps in a flashback, since Elena is originally from Cuba.
Overall, this is an enjoyable historic mystery with a dash of romance in a luxury setting of a 1936 cruise ship that still manages to make both of its main characters relatable and likeable. Recommended for those who like historic mysteries and romance.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, using one of my referral/coupon codes, or signing up for my free microfiction monthly newsletter. Thank you for your support!
4 out of 5 stars
Length: 336 pages – average but on the longer side
Source: Library
Buy It (Amazon or Bookshop.org)
Book Review: Swamp Story by Dave Barry
One scheme to lure tourists to a failing Everglades store crosses paths with another one to pitch a reality tv show in this humorous mystery.
Summary:
Jesse Braddock is trapped in a tiny cabin deep in the Everglades with her infant daughter and her ex-boyfriend, a wannabe reality TV star who turned out to be a lot prettier on the outside than on the inside. Broke and desperate for a way out, Jesse stumbles across a long-lost treasure, which could solve all her problems—if she can figure out how to keep it. The problem is, some very bad men are also looking for the treasure, and they know Jesse has it.
Meanwhile, Ken Bortle of Bortle Brothers Bait and Beer has hatched a scheme to lure tourists to his failing store by making viral videos of the “Everglades Melon Monster.” The Monster is in fact an unemployed alcoholic newspaperman named Phil wearing a Dora the Explorer costume head. Incredibly, this plan actually works, inspiring a horde of TikTokers to swarm into the swamp in search of the monster at the same time villains are on the hunt for Jesse’s treasure. Amid this mayhem, a presidential hopeful arrives in the Everglades to start his campaign. Needless to say, it does not go as planned. In fact, nothing in this story goes as planned. This is, after all, Florida.
Review:
This was marketed to me as a humorous thriller, but humorous mystery is more accurate. There is absolutely a mystery – primarily who is going to get the gold – but I wouldn’t call it a thrilling, edge-of-seat read.
I love visiting Miami and the Everglades, and I’m happy to read books set there. The Everglades was particularly well described, as was Coral Gables, a posh neighborhood of Miami. I was interested in where the gold came from and who would ultimately get it. I also liked how many different characters end up merging together in one chaotic scene in the swamp. Building to that scene was a lot of plot work, and the author did it artfully without it ever feeling laborious to the reader.
There is a character who is in active alcohol addiction, and we essentially see his rock bottom followed by his willingness to seek recovery. The recovery he seeks is of the old school variety, but all pathways are valid. Unfortunately, his actual recovery is off-screen. (If you’d like to see on-screen recovery, check out my book, Waiting for Daybreak.) We do, however, get an epilogue to see where all the main characters end up, so we do actually get to see him living a sober life a little bit in the book, which I appreciated.
Something that stuck out to me when reading this book, though, was how few Latine characters there were. None showed up at all until about 40% of the way through the book, and then there was only one throughout the whole book. When I go to Miami, even my flight there from New England has Latine people on it. Latine people are everywhere in Miami, and a large part of what makes Miami feel the way it does is the presence of our Latin-American siblings. I love how there’s Spanish being spoken everywhere and various aspects of Cuban-American culture. Miami is 70.2% Hispanic or Latino (2020 data). So I was quite disappointed to have this book set in Miami and the Everglades with only one Latine character, and even that character was very minor.
With regards to the humor, I understand how other readers would find it funny. I could spot the scenes that other readers would find funny. But they just didn’t tickle my own personal funny bone. If you’re not sure if the humor will be a good match for you, read the first chapter. It’s a good representative of the humor throughout the book.
One other thing I must mention is part of the “thrills” of the book is that the sole female main character (who has a breastfeeding infant) is being followed by two ex-cons who are partially out to rape her. The majority of the danger she is under is of being raped by these two men. I personally prefer for the danger a character is facing in a thriller or a mystery to have nothing to do with sexual assault. While that may be the reality in the real world, I don’t get enjoyment out of that threat looming over the characters of any gender in my reads. (This post from Another Angry Woman does a great job of explaining why we don’t need the threat of sexual assault to understand a villain is bad.)
Overall, this is a zany and unique plot that depicts southern Florida’s natural settings quite well, although it misses the mark with depicting Florida’s human diversity. Readers should check out the first chapter to see if the humor is a match for them.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, using one of my referral/coupon codes, or signing up for my free microfiction monthly newsletter. Thank you for your support!
3 out of 5 stars
Length: 320 pages – average but on the longer side
Source: NetGalley
Buy It (Amazon or Bookshop.org)
Book Review: A Restless Truth by Freya Marske (Series, #2)
A murder mystery on an ocean liner cruising from the US to the UK in the early 1900s being solved by two women – one of whom is a magician. Both of whom are into each other. Things get spicy…and dangerous.
Summary:
When Maud voyages from the US to the UK on RMS Lyric, she finds a dead body, a disrespectful parrot, and a beautiful stranger in Violet Debenham, who is everything—a magician, an actress, a scandal—Maud has been trained to fear and has learned to desire. Surrounded by the open sea and a ship full of loathsome, aristocratic suspects, they must solve a murder and untangle a conspiracy that began generations before them.
Review:
I’m not sure how I ended up with an advanced copy of the second book in The Last Binding series – when I hadn’t read the first. I’m assuming either I requested it, not realizing it was a second book or it was sent to me based on my reading history with the assumption it didn’t matter. The series aspect is less “the story happens in a row” and more “everyone featured is living in these alternate history version of the early 1900s plus magic.” Apparently the first book in the series features a m/m pairing (Amazon, Bookshop.org), whereas this one stars a f/f pair.
I didn’t struggle too much to figure out what’s going on. The author does refrain from explaining much for the first chapter or two. But that’s because the book starts essentially in media res – with the murder happening. After that has occurred we slow down for a minute, and there’s a refresher of the rules of the universe. It didn’t take me too long to catch up and get into it.
One thing that did surprise me was the spice level of this romance. I was expecting very light spice with most encounters occurring off-screen after a fade to dark. That is not the case. Things get very explicit. Let’s put it this way….at least one of the scenes would have had to have been cut to manage to squeak in an R rating for explicitness. There are three scenes total, and each takes up a whole chapter. To me, this much spice feels like erotica jammed into a romance. I prefer the two separately.
The pairing here is grumpy/cheery. Violet is the grumpy, and I adored her. I liked Maud too, but Violet was someone I could see a whole book’s perspective on. Perhaps I’m biased since Violet is bisexual and the quintessential theater geek. I just really enjoyed her. But Maud is nice enough too. I liked their pairing well enough.
The mystery is substantial enough to hold up a plot. I enjoyed the animals and sneaking around the boat. I did think a bit more attention could have been paid to the class and race issues that sort of came up and got a bit glossed over. I don’t expect preaching in a book but it might have been interesting to at least have Maud and Violet see the second or third class areas of the ship on one of their many attempts to outrun their pursuers. (Somehow they always seemed to end up in the cargo hold instead). Maud talks with disdain of her parents only giving charity when others can see it, but Maud herself doesn’t seem to do much giving either. Violet, at least, offers to become the patron of an all-Black opera. (The real history of Black opera.)
Overall, I liked getting to know Violet, and it was an interesting world to visit. But the spice level was far too hot for what I personally prefer in romance, sliding more into an erotica category in my opinion. It also seems to me that the first book may have been quite different from this one, so readers of the first should come in aware of these differences.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
3 out of 5 stars
Length: 388 pages – average but on the longer side
Source: NetGalley
Buy It (Amazon or Bookshop.org)
Book Review: Lavender House by Lev A.C. Rosen
A 1952 noir-esque mystery — but everyone from the detective to the murder victim to most of the suspects themselves are part of the queer community.
Summary:
Andy was just fired from the San Francisco police department after he was found in a compromising situation in a gay bar’s bathroom. He’s having one last night of drinks before throwing himself into the bay when a woman shows up asking him to investigate the murder of Irene Lamontaine – the matriarch of the Lamontaine soap company. She wants Andy to do the job because it turns out Irene was a lesbian, and almost everyone in her home is queer. A secret they have to keep if they want to remain an empire.
Review:
All I noticed in the blurb I saw was that this was a queer Knives Out. I somehow missed the historical part. I loved Knives Out but I wasn’t prepared for the amount of period appropriate homophobic content in this one.
This book is authentic to its time period. It doesn’t gloss over homophobia whatsoever. We witness one brutal gay bashing (literal gay bashing) and two other characters reference their own beatings. This is a world of bribes and secrecy from society such that even the happy characters can never be fully happy. Be prepared for the realistic depiction as you go into it.
The family Lamontaine consists of Irene and her partner Pearl. They have a son Henry. I can’t remember whose biological son he is. He has a partner named Cliff. He’s legally married to a woman named Margo who has her own partner Elsie, who is bisexual and runs a queer bar. Margo’s straight mother Alice begrudgingly lives with them. They have a butleresque character who is also gay, as well as another sapphic couple who run the kitchen and garden. They all get to be themselves inside the Lamontaine house but never outside of it. Irene was found dead in the perfume library. The family and coroner rule it a fall, all with the exception of Pearl who suspects foul play. She found out about the recently outed cop and figured he could be their private investigator without risk of outing them all. The characters feel like a lot but are actually easy to keep track of.
I appreciate that there was a bisexual character. I wished that there was more diversity. There was one Filipino bar tender and a rival soap company run by a Jewish family. With all the rampant homophobia being depicted, I was honestly shocked that racism didn’t come up. It would certainly have been period appropriate to, for example, even allude to issues like redlining or racist responses to the Korean War. If one was completely unaware of history coming into this book, one could have left it thinking the only issue of tolerance and acceptance in the 1950s was sexuality. (For a queer book that does explore racism in San Francisco in the 1950s, check out Malinda Lo’s Last Night at the Telegraph Club).
Please also note that there is a scene where some rabbits are killed. I don’t think this is a spoiler as it’s alluded to on the cover. I wouldn’t have asked for the book at all on NetGalley if I’d been able to see the full cover as it’s rendered now, because I have a personal love for rabbits so that was distressing to me. One of the characters is depicted as having a drinking problem that they are told to snap out of. This is never followed up on in a way that implies the drinking problem is fine now. This isn’t how a drinking problem works. I found this to be a flawed and misleading depiction of alcoholism that was used as a plot device.
The mystery itself was kind of ho-hum. I suspected who did it from the get-go and was proven correct. The solution seemed….more than a bit obvious to me, honestly. If you’re curious, take a guess in the comments, and I’ll respond with if you’re right. Ultimately though for me I wanted this book to swing more fully into one direction or the other. Either to go full period piece and get into all the nitty gritty or move it into the present and just make it fun.
Overall, if a simply mystery set in the 1950s with a mostly queer cast facing an intolerant society appeals to you, then you should give this one a go.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
3 out of 5 stars
Length: 274 pages – average but on the shorter side
Source: NetGalley
Buy It (Amazon or Bookshop.org)
Book Review: The It Girl by Ruth Ware
Summary:
April Clarke-Cliveden was the first person Hannah Jones met at Oxford.
Vivacious, bright, occasionally vicious, and the ultimate It girl, she quickly pulled Hannah into her dazzling orbit. Together, they developed a group of devoted and inseparable friends—Will, Hugh, Ryan, and Emily—during their first term. By the end of the second, April was dead.
Now, a decade later, Hannah and Will are expecting their first child, and the man convicted of killing April, former Oxford porter John Neville, has died in prison. Relieved to have finally put the past behind her, Hannah’s world is rocked when a young journalist comes knocking and presents new evidence that Neville may have been innocent. As Hannah reconnects with old friends and delves deeper into the mystery of April’s death, she realizes that the friends she thought she knew all have something to hide…
Review:
I’ve read about half of Ruth Ware’s books and enjoyed them all, so I was excited and surprised when the publisher approved me for a review copy of her newest book on NetGalley. Most of her other books I’ve read part of the thrill is the characters’ tie to a place – like a ski chalet or weekend hen do rental. This one, though, the thrills come from everyone’s tie to an event that happened a decade ago – the death of April Clarke-Cliveden.
To me, the most important part of a thriller is that at least one of the twists (preferably the last one) both surprises me but also strikes me as fair. In other words, that it’s not only a twist because the writer withheld something from the reader that other characters we closely follow know. The twist must also not have been immediately possible for the main character to figure out. This book definitely ticks that criterion. Although, I thought I’d guessed the twist about 18% of the way into the book, I was definitely wrong. I hadn’t guessed the twist even moments before it happened. And I didn’t feel cheated because the twist did make sense. So if a surprising twist that makes sense if what you’re after, this read is for you.
Now, I will say, I nearly wore my eyes out rolling them at the main character Hannah. She just struck me as quite emotionally/psychologically weak and easily influenced. I don’t need to love a main character to enjoy a read, though, so I wasn’t bothered. Something about Hannah that some readers may enjoy, partially because it’s unusual in a thriller, is that she’s about six months pregnant for the meat of the story. I’ve never been pregnant myself, so I can’t say how necessarily realistic the portrayal is, but it did make for some different and interesting scenes.
The only thing that does bother me, which is why this is four stars, is I just do not understand why Hannah ever considered April her “best friend” or why she’s still so enamored with her years later. From the first moment we meet her when Hannah does on move-in day at Oxford, I was like…man this girl is the WORST. Did I know people like her in college? Sure. Did I befriend them? No. Am I aware of someone who had a roommate like her? Yes. Did she befriend her? No, they just hung out in separate groups and lived their separate lives. But I will say, Hannah is characterized as weak and easily swayed, so, in a way, it makes sense she’s friends with her. But I never felt sympathy for Hannah about any of it.
Overall, this was a fun thriller. For me it took a little bit to pick up speed, but once it did, I was definitely motivated to find out the final twist.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
4 out of 5 stars
Length: 432 pages – average but on the longer side
Source: NetGalley
Buy It (Amazon or Bookshop.org)
Book Review: The Maid by Nita Prose
Summary:
Twenty-five-year old Molly Gray struggles with social skills and misinterprets the intentions of others. Her gran used to interpret the world for her, codifying it into simple rules that Molly could live by. But since Gran died a few months ago, Molly has had to navigate life’s complexities all by herself. No matter—she throws herself with gusto into her work as a hotel maid. Her love of cleaning and proper etiquette, make her an ideal fit for the job. She delights in donning her crisp uniform each morning, stocking her cart with miniature soaps and bottles, and returning guest rooms at the Regency Grand Hotel to a state of perfection.
But Molly’s orderly life is turned on its head the day she enters the suite of the infamous and wealthy Charles Black, only to find it in a state of disarray and Mr. Black himself very dead in his bed. Before she knows what’s happening, Molly’s unusual demeanor has the police targeting her as their lead suspect. She quickly finds herself caught in a web of deception, one she has no idea how to untangle. Fortunately for Molly, friends she never knew she had unite with her in a search for clues to what really happened to Mr. Black—but will they be able to find the real killer before it’s too late?
Review:
This book has a nice overall message. That we need to band together in kindness with those who are different. But the story itself left me feeling lukewarm.
Molly’s difference is never named although neurodivergence and Autism are certainly hinted at. To me, her voice and behavior simply didn’t read as authentic. Neurodivergence is of course a wide spectrum so it might read authentic to others. But it felt to me like someone guessing at neurodivergence. It just rang false.
It is unclear if the author Nita Prose is herself neurodivergent. She has never said so in any interviews, and the book is not marketed that way. In one interview, she says explicitly that Molly was inspired by her work with special needs high school students.
Before I was an editor, I worked for a time teaching high school kids with special needs….I witnessed how cruelly they were sometimes treated by so-called “normal people.” But what I also saw were kids who responded with incredible resilience and human dignity in the face of prejudice. In some ways, I think Molly is a tribute to those kids that I taught so many years ago.
source
This does not read to me as an author who self-identifies as neurodiverse, so this is not an own voices perspective. Nor, I think it’s fair to say, is it from someone with in-depth knowledge about it. Teaching such students “for a time” is not the same thing as, for example, being a life-long special needs teacher or having a loved one living in your home with a special need. In my opinion, this lack of intimate knowledge comes through in how Molly comes across.
The mystery itself wasn’t all that mysterious. I must admit I didn’t guess the killer but that was only because the narrator withheld information from the reader until the last chapter. Not my favorite method in a mystery book. I always feel duped and end up disliking the main character for withholding. So while I was motivated to find out who did it and to see Molly free, I was annoyed at the end. I can generally forgive this in a mystery, though, if my experience with the mystery itself was pleasurable up to that point.
The problem for me in this book wasn’t the set-up or the mystery. It was that every character in the book rubbed me the wrong way – including the ones I was supposed to like. Literally everyone. Even Molly’s “sweet old gran.” I just didn’t like anyone. Even if I mentally wanted everything to work out from a sense of common decency, I couldn’t root for anyone because I didn’t like anyone. The dialogue (everyone’s) especially rubbed me the wrong way. I’m not sure why; it just did.
So, I liked the idea of this. It was different. It just wasn’t for me. Maybe it will be for you.
3 out of 5 stars
Length: 280 pages – average but on the shorter side
Source: NetGalley
Buy It (Amazon or Bookshop.org)
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
Book Review: Death by Dumpling by Vivien Chien (Series, #1)
Summary:
Lana Lee didn’t expect to be hostessing at her family’s restaurant. But when she dramatically walks out on her job, Ho-Lee Noodle House in the Asian plaza of Cleveland seems to be her only option. When the plaza’s property manager, Mr. Feng, turns up dead next to a pile of her restaurant’s dumplings, the focus quickly shifts from Lana’s life to clearing the restaurant – and their chef – from suspicions of murder.
Review:
It’s no secret if you’re a fan of cozy mysteries that they’re hurting for diverse representation. When I saw this title, I was excited for a Chinese-American leading lady and also for the dumpling recipes I anticipated coming with it, as many cozies come with recipes or craft patterns.
The setting of this book feels very real, it reminded me of the “Asian plazas” I’ve seen in the Midwest when visiting my in-laws. The variety and types of stores and restaurants, as well as the description of where it was in relation to Cleveland rang as real to me.
The majority of the characters in this book are Chinese-American – including the murder victim and all of the potential suspects Lana works her way through. Lana is biracial – her mother is Chinese-American, and her father is white. Lana’s best friend is white, and the police detective (who we all know is the love interest, since that’s how it works in cozies) is also white. In spite of all this representation, I must mention that there was one cringe-inducing moment where sitting cross-legged is described as “Indian-style.” A good reminder that just because a book features an underrepresented group doesn’t necessarily mean it will be fully inclusive.
My lack of engagement with the love interest I don’t think is the fault of this book in particular – he was the generic police detective you see in cozies. I think it’s just that I have increasingly come to a negative perception of policing and I couldn’t get past his job in my head.
I was disappointed to discover that in a book revolving around a Noodle House and murder by dumplings – there were no recipes! I just kept re-flipping through the end of the book asking – really? A missed opportunity that would have knocked the book up a whole star for me.
With regards to the mystery, this was one of those rare cozies with a plot I could not 100% predict. A definite mark in its favor and something that kept me reading. I also must mention that Lana has a pug named Kikkoman (after the soy sauce). Important to the plot? No. But important to joy in certain scenes for sure.
Overall, if you’re a cozy mystery fan looking for some diversity or variety in your next read, I recommend giving this one a try. Just don’t come into it expecting recipes.
3 out of 5 stars
Length: 328 pages – average but on the longer side
Source: Library
Buy It (Amazon or Bookshop.org)
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
Support my work with a tip or browse my shop for curated book club guides, how to guides, cross-stitch patterns, and more!
This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Opinions of a Wolf 
Book Review: Looking Glass Sound by Catriona Ward
Just how much can real life -your own and others’ – inspire your fiction?
Summary:
In a lonely cottage overlooking the windswept Maine coast, Wilder Harlow begins the last book he will ever write. It is the story of his childhood summer companions and the killer that stalked the small New England town. Of the body they found, and the horror of that discovery echoing down the decades. And of Sky, Wilder’s one-time best friend, who stole his unfinished memoir and turned it into a lurid bestselling novel, Looking Glass Sound.
But as Wilder writes, the lines between memory and fiction blur. He fears he’s losing his grip on reality when he finds notes hidden around the cottage written in Sky’s signature green ink.
Catriona Ward delivers another mind-bending and cleverly crafted tale about one man’s struggle to come to terms with the terrors of his past… before it’s too late.
Review:
Based on my previous experience reading a Catriona Ward book, I came into this knowing as little as possible. I was concerned knowing too much would ruin the experience. Unlike her previous books, though, I think knowing something about what it’s about will actually help this book find the right audience. So let me tell you.
This book uses magical realism to explore how writers pull elements of the real world into their “fictional” stories. It explores just how acceptable that is. It also looks at how much a writer ends up living inside their own stories. All of this is wrapped up in a mystery story.
Here’s the thing. A lot of readers might go into this book expecting a mystery about a killer in a New England town with a shocking twist. That is not the trajectory of this book. It’s a very meta book about writing. It’s a book inside another book inside another book. It’s a little difficult to untwist and figure out what’s really going on and what’s fiction in this world.
I really respect the amount of work and plot development that went into this. The author had to write in multiple different styles as convincingly different authors. (Although I preferred The Villa by Rachel Hawkins for how it did a book inside another book – my review.) The meta commentary on writing is a literary exploration in navel-gazing that a lot of readers might enjoy. Except those who wanted the New England beach killer story with a twist. So this book might be struggling a bit to find its audience.
One thing that did bother me that should have been caught in editing is that these New England characters sometimes speak with a British affect. (There is one British character who, of course, should speak like a Brit.) I don’t mean they’re written with an accent but rather they sometimes say words or speak in a certain manner that I’ve only ever heard British people speak. (I was born in New England and have lived here all my life…so I know how we talk.)
The mystery was kind of mysterious but also not really the point of the book. The resolution left me scratching my head a bit, largely because of the magical realism aspects. I also felt like the message was a little garbled and unclear. It was a little bit of a letdown after the time investment, although I did appreciate it for its craft and structure.
Recommended to readers interested in a magical realism commentary on the writing process.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, using one of my referral/coupon codes, or signing up for my free microfiction monthly newsletter. Thank you for your support!
3 out of 5 stars
Length: 342 pages – average but on the longer side
Source: NetGalley
Buy It (Amazon or Bookshop.org)