On the Beach
By: Nevil Shute
After a nuclear World War III has destroyed most of the globe, the few remaining survivors in southern Australia await the radioactive cloud that is heading their way and bringing certain death to everyone in its path.
Surely someone in
The last surviving nation
Would have kinky sex?
3 out of 5 stars
By: Justin Kramon
Finny’s relationships with Earl and Judith open her up to dizzying possibilities of love and loss and propel her into a remarkable adventure spanning twenty years and two continents.
Selfish male artists are top!
Unlike all things femme.
2 out of 5 stars
By: Siobahn Vivian
It happens every year. A list is posted, and one girl from each grade is chosen as the prettiest, and another is chosen as the ugliest. Nobody knows who makes the list. It almost doesn’t matter. The damage is done the minute it goes up.
Could’ve been a series,
Instead squished eight tales in one.
Outline with no depth.
3 out of 5 stars
Generations ago, humans fled to the cosmic anomaly known as Grass. But before humanity arrived, another species had already claimed Grass for its own. It too had developed a culture……
Now a deadly plague is spreading across the stars, leaving no planet untouched, save for Grass. But the secret of the planet’s immunity hides a truth so shattering it could mean the end of life itself.
I wanted to say “I’m sure this was super progressive when it was first published” but actually it was first published in 1989 so….actually not so much. I think if I read this in print I might have flown through it faster and not noticed how kind of all-over-the-place it was but actually…it’s kind of all-over-the-place.
First there’s the weird backwards planet that for some reason has decided to revert to medieval European ways of being in spite of being settled at some point in the future when people figured out how to travel through space and colonize planets. Then we jump back to planet Earth which has been taken over by both Catholicism and some weird new religion that I still haven’t figured out but that seems to believe in saving the soul to computers? But also has forced monk servitude?
So some Catholics go to Grass (the medieval planet) because some evil flesh-eating plague is spreading all over the galaxy and Grass is the only place that doesn’t have it. Somehow Grass is blissfully unaware of the impending plague. The Catholic family consists of the mom who used to work helping people who didn’t obey the two child mandate, the father and his mistress, and their two teenagers (one boy and one girl and the girl is of course super sullen).
Then we have a long diatribe about this weird Fox Hunt the Grassians do using entirely alien species. Riding the aliens gives the women orgasms, and this is dangerous. I couldn’t help but feel like the author had some huge problem with horseback riding, and what is with that in scifi? HORSES ARE GREAT, SCIFI WRITERS. STOP WRITING THIS PLOT. Anyway so then somehow this plot of maybe the alien Fox Hunt is saving the Grassians from the plague takes a super weird religious turn involving morals and ethics and what are the aliens actually and the Catholic lady has some weird religious dream after she whacks her head and the aliens start attacking the humans and somehow they find a scientist/doctor person in the midst of all this who can help them with the cure yadda yadda. See? All over the place.
Ultimately it’s realized that this whole thing was basically Catholic lady’s mid-life crisis, and she finally comes into her own as a result of the whole thing and wow. I just kept thinking….who is so out-of-touch with themselves that it takes this whole huge interplanetary incident to sort your shit out? In the end I sort of felt like this is the book version of that random old lady you meet on the bus who talks to you through your headphones to tell you her “tragic” life story and you sit there nodding because you think she might be just a bit coo-coo and well her story is all-over-the-place but at least it’s moderately interesting and then at the end you realize her life has been awful because she is awful.
So…..if you’re a person who didn’t sort your shit out until mid-life and you have a lot of empathy for people who claim to be trapped by their own damn choices then you’ll probably enjoy this book. Also if you have some weird problem with horseback riding you’ll probably enjoy this book.
Why three stars? Because while I found it annoying and disappointing the plot was at least interesting, it was well-written on the readability level, and it was an audiobook but I read the whole thing, so I think that’s saying something.
3 out of 5 stars
Maguire is bad luck.
No matter how many charms she buys off the internet or good luck rituals she performs each morning, horrible things happen when Maguire is around. Like that time the rollercoaster jumped off its tracks. Or the time the house next door caught on fire. Or that time her brother, father, and uncle were all killed in a car crash—and Maguire walked away with barely a scratch.
It’s safest for Maguire to hide out in her room, where she can cause less damage and avoid meeting new people who she could hurt. But then she meets Jordy, an aspiring tennis star. Jordy is confident, talented, and lucky, and he’s convinced he can help Maguire break her unlucky streak. Maguire knows that the best thing she can do for Jordy is to stay away. But it turns out staying away is harder than she thought.
I picked this up because I heard it featured mental illness in a realistic manner, and I think that’s something that’s important, particularly in YA. I was not disappointed.
Maguire has a form of Obsessive-Compulsive Disorder (OCD) that developed in response to trauma. She’s been around when some very bad things happened, and her survivor’s guilt has kind of gotten out of control. The reader meets Maguire initially through her therapy session, where she is definitely a sullen teenager. Maguire’s approach to her mental illness is one of the more realistic parts of the book. She at first very firmly believes that everyone else is crazy in refusing to acknowledge her “bad luck.” But slowly with the help of her therapist she comes to see that maybe it’s all in how she’s perceiving the random universe, and that her magical thinking won’t really fix anything.
While I didn’t think having a love interest was necessary (why couldn’t it be a friend for once), I get why Jordy was included and I liked him beyond the love interest part. Jordy’s existence shows that therapy can be useful for things beyond more serious mental illnesses, such as relearning coping mechanisms or dealing with issues in your family. I also appreciated that for once there wasn’t a love triangle.
I did think the writing was a little bit too simplistic for the audience, and I also thought that sometimes the descriptions were rocky. Some sentences read early first draft with the list of descriptors that are then repeated every time characters show up again. But I also think that YA readers who aren’t used to seeing themselves (or their loved ones) in literature will be so enthralled by Maguire and her realistic therapy assignments and issues that they will quickly gloss over that.
Recommended to fans to contemporary YA lit looking for a realistic mental illness depiction.
4 out of 5 stars
Ria lived on Tara Road in Dublin with her dashing husband, Danny, and their two children. She fully believed she was happily married, right up until the day Danny told her he was leaving her to be with his young, pregnant girlfriend. By a chance phone call, Ria meets Marilyn, a woman from New England unable to come to terms with her only son’s death and now separated from her husband. The two women exchange houses for the summer with extraordinary consequences, each learning that the other has a deep secret that can never be revealed.
Is “two women swap houses and their lives change” a subgenre of women’s fiction? Because I feel like it should be. I have a real soft spot for house swap stories, starting back when The Holiday came out (one of my favorite romcoms). I was excited to see one featuring both Ireland and New England (Connecticut, specifically), and I sensed that the drama would be pretty high in this story. I wasn’t disappointed.
I learned a lot about recent Irish history from this book. For instance, I had no idea that divorce wasn’t legal in Ireland until 1995! The whole culture, too, wasn’t just that divorce wasn’t legal but that young marriage was expected. This directly impacts Ria’s life and her decisions. Learning this recent Irish history through Ria’s eyes helped make it more real and reminds the reader that these cultural norms and laws have a real impact on real people.
The settings were beautifully rendered. From Tara Road to the home in Connecticut, I felt completely present in each. I could hear the noises and smell the cooking at Tara Road and feel the cool pool water in Connecticut. The rich settings helped me take the perhaps at times ridiculous plot with the grain of salt such a story warrants.
Many issues are covered without ever feeling like the book was written just to talk about them. Rather, the issues exist because they just happen to in real life so why wouldn’t they in this book. Among the issues: alcoholism, domestic violence, grief, infertility, and more that I can’t mention without being plot spoilery.
Still, though, in spite of the strong setting and interesting plot, I did feel that it ended a bit too abruptly. I felt as if I was left hanging, wondering what ultimately was going to happen with these women. Being left wanting more isn’t necessarily a bad thing but after investing so much into these two women, I would have enjoyed at least an epilogue.
Overall, a strong entry in women’s fiction. It’s a house swap story that stays unique with the house swap not being about romance but rather about dealing with personal issues and where you want your life to go.
4 out of 5 stars
Etienne has a mysteriously powerful changeling daughter no one else knew about who goes missing and now Toby must find her.
Goblin Fruit is being sold on the streets and Toby in her grief seeks to eradicate it only to discover the Queen is behind it. Then she gets hit in the face with a pie made of it and since it’s only addictive to humans and changelings she’s now addicted to basically the fantasy equivalent of heroin. Oh also she becomes fixated on reestablishing the rightful heir to the throne, and not just because she’s been exiled by the current Queen
So here’s the thing. I love reading a good series but generally so long as everything is continuing along at the same quality level as the first couple of books there’s not too much to say about them. But also if you just stop reviewing them it makes it seem like you stopped reading the series, which isn’t the case. So I’m going to be sticking to short reviews for my series reads, and I might start lumping them together, unless there’s one that’s particularly good or one that’s particularly bad.
I’ve mentioned in previous reviews that I’m tired of the series looking for missing kids. This happens again in book 6, and yes it kind of bugged me, but it was different enough that I kept reading. I think having the added factor of learning more about how changelings work and also how Toby’s particular type of fae work helped keep it interesting.
I’d say that book 7 kept me more on the edge of my seat than book 6 because Toby is in more genuine peril and also she is more honest about her feelings for the King of Cats. I find overthrowing one royal person to instill another to be rather boring but Toby’s personal peril helped keep it interesting for me. I also really enjoyed one particular reveal about a longstanding character. That said, all of the political intrigue and the fact that the next book promises only more made me decide it was time to take a break from the series until I’m ready for a read that will be exactly what I am expecting. There’s always room for that in my reading but it can be a bit dull if you read a few too many in a row.
Both of these reads hold enough of what long-time readers of the series have come to expect and new information to be both engaging and not disappointing. It’s a good series but not one that builds intrigue over the course of each book throughout the series.
4 out of 5 stars (each)
Amy Stevenson was the biggest news story of 1995. Only fifteen years old, Amy disappeared walking home from school one day and was found in a coma three days later. Her attacker was never identified and her angelic face was plastered across every paper and nightly news segment.
Fifteen years later, Amy lies in the hospital, surrounded by 90’s Britpop posters, forgotten by the world until reporter Alex Dale stumbles across her while researching a routine story on vegetative patients.
Remembering Amy’s story like it was yesterday, she feels compelled to solve the long-cold case.
The only problem is, Alex is just as lost as Amy—her alcoholism has cost her everything including her marriage and her professional reputation.
In the hopes that finding Amy’s attacker will be her own salvation as well, Alex embarks on a dangerous investigation, suspecting someone close to Amy
I devoured this book so quickly that I forgot to mark it read in GoodReads for a few weeks. It’s a thrilling read on a lot of levels. Amy’s questionably vegetative state would give anyone chills, as would how she wound up there. Even before full details of the attack are known, everyone knows it was pretty gruesome. Alex’s “functional” alcoholism also sends chills down the spine. She’s lost almost everything, but she still drinks enormous amounts of alcohol every day. The juxtaposition of the two women is what makes the psychological thriller so thrilling. They’re both being held paralyzed in a state by an illness and any one of us could fall to either of those states.
I know the average reader is probably most interested in the mystery aspect of the thriller–the whodunit. I will say in short that it’s a well-done mystery. I had my suspicions but exactly how things ultimately went down was still enough of a surprise that I was delighted, and I thought the resolution was well-done. What I was much more fascinated by though was Alex.
A “trouble-making journalist” or a detective who drinks too much is the norm of thrillers and noir but usually that is played up as something slightly dangerous but also sexy. Here there is nothing sexy about Alex’s alcoholism. She wets the bed every night. It at first seems this is because she drinks at least one glass of water per glass of alcohol to stave off hangovers but later it’s clear it’s from her body shutting down from her alcoholism. Alex is a great example of a “functional” alcoholic. She’s holding down a job (sort of, her alcoholism stole her dream career from her), she runs every day, she’s capable of looking into this mystery of Amy. But slowly other things are revealed that makes it ever clearer that no, she’s not homeless, but she is far from functional, unless by functional you simply mean she can sort of exist in human society. She is nowhere near what she could be because of the alcohol, and she’s lost almost everything (career, husband, and more). I really liked that the reader is both compelled to respect Alex’s smarts and tenacity as a reporter but also to feel empathy and horror at how much alcoholism is stealing from her. Even if the reader doesn’t have an interest in addictions, it still makes Alex a well-rounded character. She is more than just that smart journalist. There are whole worlds going on in her own life outside of her investigation.
Overall, if you’re looking for a thriller with a twisting plot that also turns some thriller/noir conventions on their head (not least of which the fact that both leads are women), then you should pick this book up.
4 out of 5 stars
Mental Illness Advocacy (MIA) Reading Challenge
Specific illness –> Addictive Disorders
Trigger Warning/Content Note:
Contains discussions of rape and sexual assault.