Archive
Book Review: Ethan: Site 39 by Otis V. Goodwin
Summary:
In the near future Earth is destroyed by an asteroid. Luckily for humanity, a group of people had already departed for Alpha Centauri to colonize the two stars found there. After losing contact with the few survivors, the Centaurians believed Earth to be uninhabited. Five thousand years later, their descendants return to an Earth that has recovered from the chaos caused by the asteroid to begin the work of reinhabiting it. When Ethan, one of the colonists, stumbles upon a residence dug into a mesa made of granite, everything the Centaurians believe about what occurred on Earth in relation to the asteroid is challenged.
Review:
I really wanted this to be a good book. First I’m a big supporter of indie and self-publishing, as I often find the stories more creative and thought-provoking than those published by big publishing houses. (See my review of Vow of Silence for evidence of that). I also thought it was an intriguing scifi storyline. Unfortunately, Goodwin can’t write.
Oh, he can come up with a great idea for a story, but his writing is terrible. First, he tells us instead of showing us. For instance, he’ll say things like “Ethan was thinking how worried he was,” instead of, you know, letting us see Ethan’s worried thoughts. Whole parts of the story that would have been fun to read in addition to making the book longer he sums up by telling us about it in a couple of sentences, such as “They talked about their planned future together” instead of letting us read the conversation.
Not that I would have wanted to read the conversation anyway, because the dialogue is atrocious. Every character sounds like an automaton. They never use a contraction or a simile or anything really that makes a human sound human. Goodwin tries to explain this as language changing, but even when we flash back to see characters from the time of the asteroid, they speak in exactly the same robotic manner.
The book blurb says that Goodwin is retired from the military, and it frankly shows. In some ways, this is good. The military portions in the asteroid flashback are clearly written by someone who knows the military. However, mostly it’s just a rabid conservatism showing. We’re talking a world in which the small population of humans rebuilding all automatically fall in love with someone of the opposite gender and that love is automatically, wholeheartedly returned. It’s like the man never got past the fairy tales told to little girls to realize that that doesn’t happen perfectly for everybody in real life. Real life just doesn’t work out that perfectly for everyone. It makes all of the characters unbelievable, whereas having one true love situation would be believable.
Of course, there is no saving the wretched female characters. Goodwin seems to be only capable of writing the completely helpless sobbing woman or a woman who is essentially a dude with boobs. God forbid a woman be strong and feminine simultaneously.
I feel kind of bad saying all of this, because his overall storyline really is good and creative. It’s what kept me reading the book in spite of cringing and rolling my eyes. What Goodwin should have done is acquired a writing partner who could write his storyline on the sentence level well. Then he would have had a great book. Unfortunately, he didn’t do that.
2 out of 5 stars
Source: Free copy from book promotion agent via LibraryThing‘s EarlyReviewers Member Giveaway program.
Book Review: Battle Royale Ultimate Edition Volume 1 by Koushun Takami (Manga) (Series, #1)
A Note on Me and Graphic Novels:
This, believe it or not, was my first foray into the world of graphic novels. I was spurred into this new territory by my intense love of the movie Battle Royale. I know that there’s also a traditional book out there, but I’d heard the manga is what the author feels really fulfills his vision of the story. I received the first volume of the ultimate edition, which contains the first three mangas in the series, for Chrismukkah. I wasn’t sure if I’d enjoy reading a graphic novel. I tend to associate them with superheroes, and I’m not generally a fan of superhero stories (except Ironman. Robert Downey Jr., *swoon*). But this. This was a story I already knew I liked, so I came at the genre with a much more open mind than the once or twice I flipped through a superhero graphic novel. You guys, I absolutely love the feeling of reading a graphic novel. I could literally feel different parts of my brain working at it than that work when reading a regular book, playing videogames, writing, or watching a movie. It’s like a portion of my brain was like “Oh hai. You finally remembered I exist!” I love that I’m only reading dialogue, because I hate extensive descriptions in books. I love that the drawings are art that I actually enjoy looking at the fine details of. I love it that when I flip back to show scenes to other people, I notice things in the drawings I didn’t see the first time around. I’m officially a convert to the genre, but you still won’t see me reading about superheroes anytime soon.
Summary:
In an alternate history of Japan, Japan comes under the rule of a totalitarian, isolationist government after WWII. The government rules through terror, and part of that terror is selecting, supposedly via lottery, one 9th grade class every year to compete in a televised game where it is kill or be killed. Shuuya never expected to win this lottery, but when his class goes on a field trip, upon arrival they discover that they are this year’s participants on an island location. They discover collars on their necks that will detonate if more than one is left alive at a certain point and also if they wander into the randomly assigned and changing forbidden zones. As the teens attempt to survive the game through various methods, flashbacks tell the story of the 9th grade class members.
Review:
I absolutely love this story. I love violent, gory stories, and there are creative deaths galore here. For instance, the weapons include a scythe, and that scythe gets used. In one particularly memorable scene, a girl desperately attempts to stuff a boy’s brains back into his skull. It’s freaking amazing. There’s also graphic sex, ranging from rape to love. I don’t like my books to pretend like sex doesn’t happen in the real world, because um, it does. The fact that sex can be wonderful and about emotions or horrible and about power is wonderfully depicted.
The manner of introducing these characters tossed together in a horrible situation then expanding on who they are via flashbacks is very reminiscent of Lost. Of course, here the characters knew each other, at least somewhat, before the game. The flashbacks fit in perfectly with the action of the game, and they reveal just enough about the characters without revealing too much. From a cooking class that solidified a friendship to crimes committed to lessons learned from an activist uncle, the flashbacks are endlessly fascinating.
Seeing these characters in what most certainly feels like a hopeless situation orchestrated by a powerful government far bigger than they are is truly powerful reading. It leaves the reader wondering not only what makes people do bad things, but also how to define what is good and bad given various situations. Is it actually good to team up and attempt to buck the system or will that just cause more pain in the end? Is suicide a bad thing when it’s kill yourself or kill others?
If you enjoy Lost, The Hunger Games, violence, psychology, or even just graphic novels, you will enjoy this book. I highly recommend it and can’t wait to read the next volume!
5 out of 5 stars
Source: Gift
Book Review: Wizard and Glass By Stephen King (Series, #4)
Summary:
Roland and his ka-tet escape Blaine the Train, but they accidentally wind up off the path of the beam and in yet another alternate version of Jake, Eddie, and Susannah’s world. They start following an interstate, heading for a palace and hoping therein lies the solution for returning to the path of the beam. One night while traveling, Roland finally tells them what has been haunting him all this time with the story of the summer he was 14 years old and his first love.
Review:
As with The Waste Lands, this book reads like multiple books in one. I was expecting that, since The Waste Lands ended abruptly without solving the problem of Blaine the Train. This book takes care of that storyline, then jumps into a flashback that lasts almost the entire book then jumps back to the present and attempts to solve a big problem. It’s a lot for one book to handle, and it would have worked better if Lud and Blaine the Train were one book taking place after The Waste Lands but before Wizard and Glass. If after doing this, King had shortened the flashback, The Wizard and Glass would be an excellent book. Of course, he didn’t do it that way.
Now that I am this far into the series, I’m seeing that King, whether intentionally or not, is writing different bits of the series as different genres. This could be why it holds wide appeal–if someone doesn’t like the genre the story is currently being told in, it will change soon enough. The first book is mainly a travelogue. The second a horror story. The third is a mix of scifi with the time paradox and horror again with Lud and Blaine the Train. Here, we get partly fantasy with the current issues for Roland’s ka-tet, but mostly a medieval romance–the story of Roland and Susan.
That medieval romance starts out well. King sets up three dialects–High Speech, In-World Speech, and Mejis accent–very well. All three are easy to differentiate, and yet are easy to read. Roland’s world is a wonderful mix of the knights of Arthur and the fabeled American west. It’s fun to read, but only when something’s really happening. That’s the problem with the flashback. It feels too long, because very little happens in large portions of it. Roland, Cuthbert, and Alain must spend most of their summer in Mejis waiting, and instead of telling the reader “wow, they waited a long time,” King makes the reader wait too, and it’s fucking boring and annoying. I seriously wanted to give up, and right when I was about to, the action started again. Finally. The action makes excellent use of this mix of fantastical and wild west, but it really takes too long to come about.
As far as the characters go, I know I’m supposed to feel for Susan, but I honestly found her annoying and dull, which is problematic since she’s Roland’s first love. Also, after all this time of Roland stating how Eddie is almost as funny as Cuthbert, I was expecting Cuthbert to be, y’know, funny. He’s not. He acts like that boy in school who used to pull your braids and think it was funny. He’s just juvenile, not witty. On the other hand, the character of the witch Rhea is excellently done. She’s simultaneously disgusting and intriguing, and she’s one of the few who manages to out-wit Roland, partly because he underestimates her since she is an old, disgusting woman. If only Cuthbert and Alain had been so vividly drawn instead of wandering shells of people for Roland to talk at.
The book is a necessary read if you plan on finishing the series. It gives important insight into why Roland is the man he is today, not to mention explains how the ka-tet escapes Blain the Train and gets back on the path of the beam. I think this is the almost inevitable dull book in an overall good series. Just take my advice and skim over the dull part of Mejis until the action picks up again.
2.5 out of 5 stars
Source: Borrowed
Previous Books in Series:
The Gunslinger, review
The Drawing of the Three, review
The Waste Lands, review
Book Review: The Creation of Psychopharmacology By David Healy
Summary:
A historical look at the emergence and development of psychopharmacology (psychiatric drugs) from the earliest time of psychiatry to the end of the 20th century. Particular attention is paid to the impact psychiatric societies, economic systems, cultures, and drug companies have had on psychopharmacology. Psychiatric drugs explored in-depth include chlorpromazine and SSRIs (Selective Serotonin Reuptake Inhibitors aka antidepressants).
Review:
I was quite excited to learn about the topic of this book, as psychopharmacology is one of the key aspects of psychiatric treatment. It is therefore unfortunate that the author, Healy, allows his own biases to get in the way of presenting factual information.
The first portion of the book that discusses asylums and the original drugs discovered by scientists to work on psychoses does present the facts in an unbiased manner. Unfortunately, Healy could not possibly write in a much more boring manner. I have never in my life read a text that is so stale, and I do read scientific nonfiction for work on a fairly steady basis, so this is not a bias of my own against scientific writing. The man just drones on and on.
The larger problem arises in the second half of the book when Healy arrives in the 20th century. Healy’s obvious anti-drug and anti-psychiatry bias emerges. He flat-out gets facts wrong and displays paranoia, ranging from the typical conspiracy theory that the mental health community is in league with the drug companies to the more extreme idea that depression shouldn’t be treated because then there would be no more art or spirituality. He also claims that personality disorders should not be treated, comparing such treatment to cosmetic surgery. This claim is offensive and harmful to people who wish to become higher functioning, happier individuals.
Healy goes on to offer predictions as to the direction psychology and psychiatry will take in the 21st century. Now that we are a decade in to that century, I can definitively tell you his predictions are wrong. He argues that an increasing number of drugs will be used to remove most individuality and that therapy will continue to fall by the wayside. In fact, the first decade of the 21st century saw a new movement toward CBT (Cognitive Behavioral Therapy) and DBT (Dialectical Behavioral Therapy), which are all about helping an individual change their harmful behaviors, thoughts, and tendencies purely through therapeutic techniques. Healy is attempting to fear-monger his readers into believing psychiatry and psychology wish to drug us all up, when in fact the mental health community wants to use what works best in each situation. Contrary to his claims, there are in fact biological bases for some mental health issues.
Although his facts are accurate in the earlier history of psychopharmacology, the second half of the book presents false facts and harmful ideas. Due to this fact, I cannot recommend this book. For an educated look at mental health and drugs, take a look at the DSMIV and the PDR.
1 out of 5 stars
Source: Library
Book Review: All I Want For Christmas Is a Vampire By Kerrelyn Sparks (Series, #5)
Summary:
Toni never meant to wind up working as a daytime security guard for vampires. She meant to be spending her December focusing on finishing up her masters degree so she and her best friend Sabrina would be one step closer to their dream of running a high-quality orphanage. But Sabrina was attacked and her claims that vampires orchestrated the attack has led to her uncle locking her up in a mental institution. Toni is determined to prove to Sabrina’s uncle that vampires are real, so she has gone undercover guarding the good vampires seeking some definitive way to prove their existence. Much as she wants to hate vampires, a certain Scottish highlander vamp named Ian has a way of making her feel very much alive.
Review:
Since I received this book as a present and there was no indication on the cover, I had no idea it’s the fifth book in the series until I was partway in and did a little bit of investigating. So, I haven’t read any of the other books in the series.
Of course, I don’t particularly think I would want to. The book starts out strongly. Toni is a character who it is easy to identify with. She’s a young adult with dreams and struggling with her self-esteem via a list of positive affirmations she says every morning. She is fiercely loyal and intelligent. Toni’s character does develop throughout the book, unfortunately not in a good way. Instead of realizing her own strength, she now has a whole new set of people–vampires and shape-shifters–to feel inferior to.
The vampire world that Sparks creates is simply not appealing. She sets up two groups of vampires–the good guys and the bad guys, or as the good vampires call them, the “Malcontents.” The Malcontents enjoy making others feel fear and pain and want to kill off all of the good vampires. The good vampires, no kidding, have their own priest and Mass. Yeah, you read that right, the vampires are Catholic. WTF?! That’s almost as bad as vampires that sparkle.
Additionally, the good vampires seem to have a thing for marrying mortals, and the leader of the good vampires has come up with a way to splice male vamps’ genetic material so that the mortal mother can give birth to a child who is half-vampire. Naturally these children have super-human abilities, such as levitating, but they also seem to be able to miraculously heal the sick. Reading these scenes gave me the same feeling as fingernails on chalkboard.
On the other hand, the romance portion of the plot is actually quite good. Toni’s and Ian’s witty banter reads realistically, and their sex scenes are fun.
If you’re just after the romance element and won’t mind the world Sparks has created, you’ll enjoy the book. All others should stick to Charlaine Harris and Nora Roberts.
2.5 out of 5 stars
Source: Gift from a friend
Previous Books in Series:
How to Marry a Millionaire Vampire
Vamps and the City
Be Still My Vampire Heart
The Undead Next Door
Book Review: Truly, Madly by Heather Webber (ARC, Feb 2010)
Summary:
Boston socialite Lucy Valentine isn’t too keen on running the family’s matchmaking business while her mother and father take a necessary trip out of country to let a scandal settle down. You see, she lost the family’s genetic ability to see auras that has led to their matchmaking success. When she was a kid, she was hit by an electrical surge that removed her ability to see auras and replaced it with an ability to see lost objects when her palm touches the owner’s palm. When a potential client shakes her hand, and she sees a dead body wearing his ring, she gets caught up in a bit more adventure than she ever thought her ability would lead her into. It doesn’t hurt that she manages to enlist the aid of the hunky private investigator whose office shares the matchmaking business’s building.
Review:
I was excited to discover a book set in Boston that has nothing to do with the Irish mob or the Kennedy’s. Unfortunately, I have this problem with reading about the modern wealthy. I simply can’t identify, and it tends to irritate me unless the book is all about how they’re a serial killer or something. Lucy is decidedly in with the Boston wealthy. Her family owns a building on Newbury Street; they employ a driver; and she has a trust fund. Of course she refuses the trust fund, but she’s still living in a cute, perfect cottage on her grandmother’s land in the South Shore. She calls her grandmother by her first name, “Dovie,” and her mother “Mum.” *shudders* I cringed every time she said either.
On the plus side, once I manage to overlook the whole poor rich girl scenario, the plot is good. It is full of twists and turns that have a slight supernatural bent without going full-tilt building an entirely populated other world of faeries, sprites, vampires, etc… that is seen in a lot of paranormal fiction. Lucy’s attraction to Sean, the PI, is believable and progresses at a good rate. The main mystery actually managed to surprise me with the ending, so that’s a major mark in its favor.
I also enjoyed the little life details Webber put into the story, Lucy’s cat’s activities, exactly what T lines are nearby where the action is happening, etc… However, I did not like Lucy’s personality quirk of doing math problems in her head when she was nervous. I don’t know what it is with romance writers lately having their characters do some annoying thing when they’re nervous, but to me it screams that Webber couldn’t figure out a better way to signal this emotion to the reader.
On the whole, it was a fun mystery plot with a dash of paranormal set in Boston marred by the choice of making the main character part of the wealthy elite with an annoying, unnecessary personality quirk. If you enjoy paranormal and wealthy characters, you will enjoy this book.
3 out of 5 stars
Source: Received from publisher, St. Martin’s Paperbacks, through LibraryThing‘s Early Reviewers program
Projected Publication Date: February 2010
Book Review: All Together Dead by Charlaine Harris (Series, #7)
Summary:
Against her fairy godmother’s better judgment, Sookie accompanies the Louisiana vampire contingency to Rhodes, Illinois for the vampire summit to work for the queen reading human minds at the various wheelings and dealings. She is excited that Quinn will be there as well, but a wrench is thrown in the works of their relationship when she is forced to exchange blood for a third time with Eric. To top it all off Sookie and fellow telepath Barry have the odd sensation that something isn’t quite right at the summit. It’s a lot for small-town girl Sookie to handle in one week in the north.
Review:
I want to say the action in this entry into Sookie’s adventures is excellent, but it isn’t quite there. The minor side-mysteries are quite good, but they are meant to distract from the main event, which frankly I had figured out way way way before Sookie. It was pratically hitting her in the face, and she didn’t get it. So the mystery leaves a little to be desired.
On the other hand, the plot point where Andre is trying to force Sookie to exchange blood with him, and Eric steps up to exchange blood with her instead is excellent. Quinn is unjustifiably angry, and Sookie discovers that trading blood three times is a magical number. She is more closely tied to Eric than she is comfortable with, and she is left incredibly confused about her feelings for him vs her feelings for Quinn. This is a love conflict that is bound to prove interesting because she has feelings for Eric but intellectually believes Quinn is a wiser choice. Now this is juicy romantic conflict!
Something that has been bugging me about the series that is featured epicenter of this book though is the whole idea of the vampires arranging their kingdoms based on the states. There’s the King of Tennessee and the Queen of Louisiana, and they even call each other simply by the state (as in, “Oh hi, Louisiana”). This makes zero sense. Why would the super-powerful and, for the majority of existence, hidden vampires arrange themselves based on arbitrary human dividing lines? Sure having multiple kingdoms in the US makes sense, but not arranged based on the human-created state lines. It doesn’t fit into the characterization of what a vampire is.
I think what really bothered me about this book though was that it made me dislike Sookie. I don’t like how she behaves, her superficial focus on clothing, or her prejudiced view of northerners. (Not a single northern woman she runs into does she view as anything other than a rude bitch). I don’t always need to like my main characters, but I think in a paranormal romance that’s problematic.
Overall, the action is excellent, even if some of the world-building doesn’t make sense and the characterization can be off-putting. I think this may be a set-up for a major, character-changing circumstance in Sookie’s life, which would make it more understandable. We’ll see if I’m right.
3 out of 5 stars
Source: Bought on Amazon
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
Book Review: Definitely Dead By Charlaine Harris (Series #6)
Summary:
Sookie needs to go to New Orleans for both personal and business reasons. Her cousin Hadley had been a vampire but died her second death leaving everything to Sookie, so she needs to go clean out her apartment. As far as business goes, the queen of Louisiana has also requested her presence to figure out if she will require Sookie’s services for the upcoming vampire summit. When Sookie finds out that Hadley was the queen’s lover, a connection between the two purposes for the visit shows up that may be more significant than she at first realizes.
Review:
I’m glad I learned on some blog (wish I could remember which one) that a short story comes between the previous book and this one in the series, otherwise I would have thought I missed a book or something. That annoying tendency to retell things that already happened? Actually awfully helpful here, since I haven’t read that short story. You don’t need to read the short story to enjoy this book, but I wish I had and advise you to as well. If you’re interested, some investigation reveals that short story is contained in the collection of Sookie short stories called A Touch of Dead.
Also thankfully, my prediction that Dead as a Doornail was a random clunker and not a death toll for the series was correct. Definitely Dead is a step back up in quality. The multiple storylines actuall do reveal to be related and not just random throwaways designed to throw you off the scent of the main mystery. We also get the addition of a new supe–part-demons–and some serious reveals. I mean makes you rethink how you look at the entire story reveals. To give you non-spoilery hints, you learn something about Bill and something about just why Sookie is so darn appealing to the supe guys. I personally love that sort of thing, and I’m hoping these two reveals will help the series continue to grow and expand.
On the minus side, I have to come right out and say it that I am not impressed with Quinn. I’m glad Sookie has become a bit more savvy about pursuing a long-term relationship, but with Quinn? Really? The man’s looks don’t match what has been established to be Sookie’s type at all–tall and lean–he is instead the muscle-bound guy. That suits some women, but it comes out of the blue that Sookie’s at all attracted to him. Also, what’s with the purple eyes? On what planet is it sexy for a man to have eyes not only an unnatural color, but an unnatural color that’s girly? I of course dislike him for nonsuperficial reasons too. He seems far too perfect. He says those puke-inducing gushy things to Sookie that, I’m sorry, perfectly nice men just don’t say in real life, and you know why they don’t say them? Because they sound corny and false and how the man treats you is far more important than what he says to you. There’s also the fact that he originally came on to her when there was a fight to the death going on in front of them, something I find indicative of just how sympathetic he really is to other people. Frankly, I just don’t find Quinn or Sookie’s interest in him believable. Something just rings false about the whole thing. It isn’t like her interactions with Eric, for example, that are full of witty banter and internal conflict about liking this person on both sides. Quinn and Sookie’s conversations literally make me want to puke at how disgustingly sweet and false they sound. Reading their conversations is like eating a twinkie. A deep-fried twinkie.
Thankfully, there isn’t much Quinn in this book, so it’s still an enjoyable read and a sign of better things to come in the series.
3 out of 5 stars
Source: Bought on Amazon
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Book Review: The Waste Lands By Stephen King (Series, #3)
Summary:
This entry in the Dark Tower series opens with Eddie, Susannah, Roland, and Jake dealing with the paradox created when Roland saves Jake from being killed in his own world. Now Jake and Roland are both living with the knowledge of two different ways a time period of about three weeks went down, and it is driving them both mad. They must solve the paradox before it is too late. After working out the paradox the ka-tet faces a post-apocalyptic city stuck in an age-based civil war. Can the ka-tet who fit into neither side survive? More importantly, can they hitch a ride on a long-forgotten train to speed up their quest for the tower?
Review:
This book opens with a bang. I thought King was going to gloss over the obvious paradox caused by Roland saving Jake in The Drawing of the Three, but a significant portion of this book is spent dealing with just that paradox. I think King is at his best when he writes about psychological horrors, and he gets to really exercise his hand at this with this plot point. That’s not to say there aren’t physical horrors here as well. Of course there are. They mainly show up as the guardians of the ends of the beams that function like spokes around the tower. Decaying beasts and demons haunt the ka-tet’s every move. I actually had serious issues putting the book down during its first half.
The problem arises in the second half. First of all, this book really should have been divided into two. The plots are almost entirely different between the first and second halves, and this was more jolting than if the second storyline was started knowing that it was the next entry in the series. Even King acknowledges in an Afterword that the second storyline stops extremely abruptly. I believe this is because of the sheer length the book was getting to. This wouldn’t have been a problem if this storyline was its own book entirely.
I also personally don’t like plots revolving around kidnappers out to hurt children, which is essentially what this plot is, only in a more fantastical world and with a side-mission for Eddie and Susannah. I’m sure some people enjoy this plot idea, but I personally am far too disturbed at the thought to become thoroughly sucked into the story.
I could forgive these things, mainly due to the addition of a lovable critter to the ka-tet, if it wasn’t for an event toward the end of the book that I felt was too over-top, unbelievable, and done purely for shock value. I won’t tell you what it is here, because that’d be a major plot spoiler, but suffice to say you’ll know it when you see it, and it’ll probably upset you too. It read like lazy writing, and that made me feel like I was being talked down to as a reader.
In spite of the disjointed ending that was also a bit uncomfortable for me, the beginning was truly excellent. I’m hoping the next entry in the series reads entirely like the beginning of this one, but this book is still worth the read for the first half alone.
3.5 out of 5 stars
Source: Borrowed
Previous Books in Series:
The Gunslinger, review
The Drawing of the Three, review
Book Review: Dead as a Doornail by Charlaine Harris (Series, #5)
Summary:
Someone is shooting shifters in the parish, and the Werepanthers are suspicious of Jason. Sookie sets out to clear his name, but things get a bit more complicated when it becomes clear someone has their eye not only on the shifters, but also on her.
Review:
Although the back cover claims this entry into the Sookie-verse is full of entertaining plot-twists, it actually reads as a been there, done that, plot.
Jason is in trouble, again. Sookie’s fairy godmother has to save her, again. Someone isn’t what they seem. Again. Sam still has the major hots for Sookie (though I’ll never understand why. She seems to just use him repeatedly when she needs help). Bill still wants Sookie even though he’s sleeping with someone else, and Alcide is still kind of a jerk.
I think the problem with this book is that it doesn’t move the overarching plot forward much at all. There is a tiny development in the Sookie/Eric plotline, but that’s all. I guess I could forgive this if the individual storyline was new and exciting, but it’s not. Ooo, someone’s targeting the supes. Big deal.
In spite of all these complaints, I still want to keep reading the series. This book read more like a clunker episode of a tv series you really love than a death toll. I expect things will improve in the next book, and this was just a mystery idea that went bad for Harris.
2 out of 5 stars
Source: Bought on Amazon
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
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Opinions of a Wolf 