Series Review: Sookie Stackhouse / Southern Vampire Mysteries Series by Charlaine Harris
Introduction:
I post series reviews after completing reading an entire series of books. It gives me a chance to reflect on and analyze the series as a whole. These series reviews are designed to also be useful for people who: A) have read the series too and would like to read other thoughts on it or discuss it with others OR B) have not read the series yet but would like a full idea of what the series is like, including possible spoilers, prior to reading it themselves or buying it for another. Please be aware that series reviews necessarily contain some spoilers.
Summary:
Sookie Stackhouse is a waitress in the rural town of Bon Temps, Louisiana, and she has a secret. She’s a telepath, and it’s ostracized her from most of the people in her town. But when vampires come out of the coffin, Sookie discovers that she can’t read their minds. Mind reading made her dating life non-existent, for obvious reasons, but with vampires, Sookie can feel somewhat normal. She soon starts to get pulled into their supernatural world, which contains more than they’re letting on to the mainstream public.
Review:
I first want to make it very clear that this series review is talking exclusively about the books and not the tv show inspired by them, True Blood. There will be no spoilers for the show and no comparisons between the books and the show. The show diverged very quickly from the books, so I think it’s fair to keep discussion of the two separate. Moving right along!
This series takes the mystery series whodunit in the vein of Agatha Christie and drenches it in the supernatural and the American south, utilizing it to tell the overarching story of one woman choosing who she wants to be. Perhaps because of the presence of some handsome leading men and the occasional sex scene, some mistake the series for a romance one. But this series is truly not a romance. Sookie’s romantic life (and sex life) is really secondary to the mysteries she solves and her slow discovery of who she is and who she wants to be.
The whodunit plots are generally murder mysteries. The violence is moderate. If you can handle a vampire biting someone or knowing someone is being beheaded without actually getting the gore described to you, you can handle the violence in this series. The whodunit plots start out engaging but gradually become more repetitive and ho-hum, almost as if the author was running out of ideas for situations to place Sookie in. Similarly, Sookie gets kidnapped and has to get saved by her supernatural friends kind of a lot.
The setting of a supernatural American south is well imagined and evoked. Both small town, rural lives and larger southern cities like Dallas and New Orleans are touched upon. The American north is visited once, however, Sookie has a strong aversion to northern women that sours the representation of the north in the book.
The characters can sometimes feel like overwrought caricatures. While some characters are given depth, most are not. This is odd, since Sookie can read minds. one would assume that she, as the first person narrator, would have a very three-dimensional view of those around her. And yet she doesn’t. Sookie likes to say that she’s for equality and seeing the good in everyone but she actually judges people very harshly. For instance, she thinks it’s a shame that women who are not virgins wear white wedding dresses.
Sookie’s character does develop, albeit minimally, over the course of the books. Characters should grow and change,
particularly over the course of 13 books, but unfortunately Sookie’s character changes to become less and less likable. This is extra frustrating when the book is told from her perspective. Instead of becoming more powerful and strong (emotionally, mentally) over the course of the series, Sookie becomes less and less able to handle the things going on around her. She also continues to act shocked and appalled at the wars and violence she doesn’t just see, but participates in, in spite of it now being a normal part of her life. Perhaps if she was just repeatedly a victim this mentality would make sense, but Sookie enacts violence on those around her and then acts disgusted at what the vampires/werewolves/etc… do, which comes off as hypocritical. Either own your own actions and validate their necessity or stop doing them. Don’t do certain violent actions then deny your involvement while simultaneously judging others for doing precisely what you just did. The fact that Sookie slowly becomes this hypocritical person makes her less and less likable. Similarly, she starts out the books with a firm belief in social justice and equality for supes but over the course of the series clearly comes to believe that humans are better than supes. I don’t blame her for wanting a quiet life or for wanting to stay human or wanting to have babies but she could have
done all of those things without coming to view supes as inferior. It is frustrating for the reader to have a main character in an almost cozy style mystery series gradually change into someone it is difficult to empathize with.
There is a consistent presence of GLBTQ characters, albeit mostly in secondary roles, throughout the series. Homophobia is depicted in an extremely negative light since only the bad guys ever exhibit it. Unfortunately, there is an instance of bi erasure in the book. One of the characters is identified as gay but everyone also acknowledges that he periodically sleeps with women. Even the character himself calls himself gay, so this isn’t just a case of the author writing a realistic amount of the realities of bi erasure into the book.
The sex in the book is not well-written. It is just awkward, cringe-inducing, and laughable most of the time. But the sex scenes aren’t very often, and they do fit in with the rest of the book. Just don’t go to this series looking to get really turned
on.
This sounds like a lot of criticism for the series but some of these things, such as the campy, two-dimensional characters, are part of what makes the series enjoyable. It’s kitschy, not to be taken too seriously. It’s a series to come to and read precisely to laugh and roll your eyes. To be utterly bemused at the sheer number of supernatural creatures and the ridiculousness of how they organize themselves. To sigh in frustration at Sookie as she gets kidnapped yet again or is oblivious yet again to who the murderer is. It’s a series that’s candy for those who enjoy camp and not too much violence with a touch of the supernatural in their mysteries.
3.5 out of 5 stars
Source: Amazon, PaperBackSwap, and Audible
Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Dead Reckoning, review
Deadlocked, review
Dead Ever After, review
Book Review: Dead Ever After by Charlaine Harris (Series, #13) (Audiobook narrated by Johanna Parker)
Summary:
Sookie, Eric, and Sam must deal with the fall-out of her using the cluviel dor to save Sam, rather than to save Eric from his arranged marriage with the vampire Queen of Oklahoma. On top of this, someone is out to frame Sookie for murder, and they just might succeed. Sookie even gets arrested and must be bailed out of prison. Her demon godfather, his niece, his grandson, Sookie’s witch friend Amelia, and Amelia’s boyfriend all come to help her.
Review:
You guys. You guys. I finally did it. I finally finished the Sookie Stackhouse series! No longer will Sookie’s book adventures hang over my head….now I just have to finish watching True Blood. The final entry in the series finishes telling the story of what clearly were a defining couple of years of Sookie’s life. Whether or not that’s the story readers wanted to hear, it is the story that gets told.
It becomes abundantly clear early in this book that Sookie has had it with the supernatural world. At least, with pure supes. She’s ok with people who are basically human with a touch of something else (like herself) but she’s over the truly supernatural, like the fairies and the vampires. Anyone who she feels has no humanity, she is done with. As a reader, I appreciate that Harris took the heroine and made her commit firmly to the humans. Many heroines in supernatural books desperately want to be supernatural themselves and commit wholeheartedly to that world. I like that Harris tells a different story, even if I think that ultimately it makes Sookie look a bit prejudiced. That part of Sookie’s character arc makes me sad. She starts out very much in favor of social justice and incorporating the supernatural world into the human one and ends up kind of prejudiced and against change. It’s sad. But, it is an actual character arc, and it makes sense within who Sookie is as a character. Some readers, who are enamored with the supernatural world themselves, might find it irritating or frustrating that Sookie has changed to not wanting to be a part of that world. But it is a well-written character arc that makes sense.
The murder/framing plot at first seems incredibly ho-hum, been there, done that, why is everyone constantly after Sookie she is not that special, although she’s pretty annoying so yeah it kind of makes sense. The plot does at least bring together a bunch of other highly enjoyable characters, such as Diantha and Amelia. Ultimately, there is a plot twist that makes the central whodunit plot more interesting, although I did not like how the twist plays into Sookie’s increasing dislike of supernatural folks who she thinks aren’t human enough.
The boyfriend situation. Well, it makes sense who Sookie chooses, and thank god their sex scenes are better written. The ultimate romance makes sense with who Sookie has become, although it doesn’t read as either titillating or particularly romantic to me. Then again, I decided many books ago that this series isn’t really about the romance, so I can’t say that it bothered me that much. Readers that are more invested in the romantic aspect of the books might be disappointed or elated, depending on who they like.
One oddity of the book is that it alternates between Sookie’s first person narration and an ominous third person narration telling us things that are going on that Sookie doesn’t know about. I don’t recall this happening in the series before, although I read the books over a long period of time, so perhaps it had. In any case, departing from the familiar first person narration probably was an attempt to build tension, with the reader knowing more about what is threatening Sookie than Sookie does. Ultimately, though, it just comes across as simultaneously jarring and like Harris just couldn’t figure out how to tell this story entirely from Sookie’s point of view. It reads odd, not ominous.
The audiobook narrator, Johanna Parker, took an odd turn with this book. Her voice reads as an old woman periodically, which doesn’t suit who Sookie is. I was disappointed, after her very good narration of books 12 and 11.
Overall, the final book in the Sookie Stackhouse series satisfactorily completes Sookie’s story arc and wraps up everything that has happened to her. Those who are secondary to the first person narration of Sookie’s life do not get the attention and wrap-up some readers might be looking for. However, this book series has always been about Sookie. It is told in her voice and is about her life. Some readers may be disappointed with how her life ends up and who she ultimately becomes but the character arc is well told. Recommended that readers who have completed at least half of the series finish the series, keeping in mind that it is really just about Sookie.
4 out of 5 stars
Source: Audible
Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Dead Reckoning, review
Deadlocked, review
Book Review: Deadlocked by Charlaine Harris (Series, #12) (Audiobook narrated by Johanna Parker)
Summary:
Sookie now has to deal with the fall-out of her, Eric, and Pam’s successful plot to kill Victor. And that means entertaining the vampire King of Louisiana. The very first party they host for the King ends with a dead half-shifter girl on the lawn. Meanwhile, Sookie finds out just why Eric has been seeming distant lately, and it might be too much for them to overcome. On top of all this, Sookie has to keep track of and protect the fairie present given to her grandmother, the cluviel dor.
Review:
The penultimate book in the Sookie Stackhouse series has a lot of big reveals, as one would expect. The big reveals at the heart of Sookie’s overarching story make sense and are well-played, although the central mystery of this entry feels a bit ho-hum.
The cluviel dor felt a bit like a deus ex machina from the instant the concept was introduced in book 11. To a certain extent, a powerful magical object that grants one wish will always feel like a deus ex machina, no matter how it is ultimately used. However, of the many options for the use of the wish, I think that how Sooie ultimately uses it is the least like a deus ex machina that it could be. The world is not torn asunder. The events of prior books aren’t canceled out. The instant in which she uses it makes sense, feels real, and is understandable. It reveals a plot point that may irritate some readers, particularly big fans of Eric, but it’s not a development that doesn’t fit in with the characters and world. Meaning that the cluviel dor is not used as a love spell or to undo the existence of vampires or some such nonsense. Those nervous about what would happen with it should rest easy and continue reading the series. You won’t have the rug pulled out from under you.
The central mystery feels kind of repetitive. There’s a dead body, and everyone must figure out what happened. Similarly, Sookie continues to refuse to learn anything from the multiple supernatural situations she has found herself in. She continues to make incredibly dumb mistakes that make it hard to root for her.
The depiction of the vampires, fairies, and werewolves continues on an ever more negative spiral. The good supes are few and far between, whereas humanity is depicted as something to strive for. For instance, having mercy on someone is seen as having humanity, as opposed to just having mercy. One of the things I liked at the beginning of the series was the ambiguity of the supes. Having Sookie feel increasingly negative toward them all is a bit sad.
That said, the book definitely moves the plot forward in a logical way. Many loose ends are addressed and answers given. Plus there is at least one big final question left for the last book in the series.
Overall, if you’ve stuck with the series this far, you should definitely keep reading. The penultimate book answers some question and continues to flesh out the version of Bon Temps in Harris’s mind.
4 out of 5 stars
Source: Audible
Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Dead Reckoning, review
Announcement: Smashwords Sale for Read an Ebook Week
Hello my lovely readers!
Just wanted to take a moment to let you know that I’ve signed both my novella and my novel up for Smashword’s sale for Read an Ebook Week.
Ecstatic Evil is is 100% off aka free until March 8th.
Waiting For Daybreak is 50% off until March 8th.
The coupon codes to partake in the sale are listed on the books’ respective pages on Smashwords.
Check out all the indie books taking part in the sale!
Happy reading!
Book Review: Dead Reckoning by Charlaine Harris (Series, #11) (Audiobook narrated by Johanna Parker)
Summary:
When Merlotte’s is firebombed, no one is sure if it’s because the shifters just came out and folks are angry that Sam is one or if it’s a more personal vendetta. As if that wasn’t bad enough, Eric’s vampire boss, Victor, has just opened a new human bar that’s stealing business from Merlotte’s. Sookie knows it’s a direct jab against her, as Eric’s wife. And Victor isn’t just stealing business. He’s punishing Eric via Pam, preventing Pam from turning her dying lover. Eric, Pam, and Sookie all know that Victor has got to go, and with the plotting going on, Sookie can’t be bothered to think too much about the firebombing.
Review:
This time it took me less than a year to return to Sookie, instead of the three year break I took last time. I’ve read so much of the 13 book series; I just have to know how it ends. The Sookie Stackhouse series is utterly ridiculous. But it’s a comfortable kind of ridiculous that’s just right to ease into while you’re cooking dinner. That’s why, when I listened to a sample and realized how perfect the audiobook narrator is for the books, I decided to listen to the end of the series. The warmth and ease of Sookie Stackhouse is perfect for combating cabin fever. This entry in the series has a bit more happen than in book 10, although the resolution to the big mystery feels repetitive.
Most of the ideas and plots in this book will ring familiar to any reader of the series. There might be hate against a newly out group (the shifters this time), some vampire higher ups are causing problems and need to be dealt with, and Sookie is just shocked that someone wants her dead. How she continues to be shocked by everyone hating her or wanting her out of the picture is beyond me, but Sookie isn’t exactly smart. Because many of the plots feel like previously visited territory, in spite of the fact that they’re well-written and active, they’re a bit boring. Something truly new really needs to happen to Sookie. The one plot point that is new, of course, is her interactions with the fae that were left behind when Niall closed off fairy. That plot was very interesting, and I’m glad it’s in the book, as it kept my interest up.
There really isn’t very much sex at this point. I honestly felt like that was a mercy since listening to someone read the awkward sex scene out loud was almost too cringe-inducing to bear. We all know Harris’s sex scenes are a bit….awkward. There’s not much new to say about that except that there’s really only one, and that feels like a good thing. Although Sookie does mention rather frequently Eric’s prowess in bed.
Sookie continues to be a self-righteous hypocrite, but someone close to her finally (finally!) calls her out on it. It happens toward the end of the book, after a lot of build-up of Sookie continuing to think she’s better than everyone else and has more morals than the rest of the supe world. The call-out is written with a perfect amount of ambiguity in the narration, leaving it up to the reader to decide if they agree with Sookie that she’s just holding onto her human morals or with the one who calls her out that she’s committing the acts and refusing to admit this is who she is. I’m not sure what camp Harris falls into, but I appreciated the finesse with which she leaves it open-ended for the reader to form their own opinion of Sookie.
The audiobook narrator, Johanna Parker, does a wonderful job. She truly makes Sookie and Bon Temps her own. There is a clear delineation in my head when listening to her that this is the book Bon Temps, not the True Blood one. She and Anna Paquin (who plays Sookie on tv) each bring their own interpretation, and they are both good and well-suited to the book and tv series, respectively.
Overall, this entry in the series is a bit repetitive. Two of the three main plots are similar versions of things we have seen before. However, Sookie finally gets called out for her hypocrisy and self-righteousness, and the third plot is new enough to keep interest up. Fans of the series will be a bit disappointed but will still find it a moderately interesting, quick read.
3.5 out of 5 stars
Source: Audible
Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Giveaway: The House of Azareal by Erik Dreistadt (INTERNATIONAL)
This giveaway is now over! Since no one entered, there are no winners.
It’s time for the second giveaway of 2014 here at Opinions of a Wolf. Lots of the indie authors whose books I accepted for review in 2014 also were interested in me hosting a giveaway at the time of my review, so there will be plenty more coming up in the future too.
There is ONE ebook versions of The House of Azareal(review) available courtesy of the author, Erik Dreistadt!
What You’ll Win: One ebook copy of The House of Azareal by Erik Dreistadt
How to Enter: Leave a comment on this post stating your favorite horror trope.
Who Can Enter: INTERNATIONAL
Contest Ends: March 8th. Two weeks from today!
Disclaimer: The winner will have their ebook sent to them by the author. The blogger is not responsible for sending the book.
Book Review: The House of Azareal by Erik Dreistadt
Summary:
Christopher is so grateful for his twins that seem a true miracle after he and his wife, Annamarie, had trouble conceiving. He can hardly believe it’s their 8th birthday already, and he won’t let anything spoil the celebration, not even an odd nightmare about being eaten by hellhounds he had the night before. But his children wander off into the woods after the party. When Christopher and Annamarie find them, they’ve stumbled upon an abandoned house. The children convince them to explore it. But the house quickly turns into a living nightmare. A nightmare designed and run by Azareal.
Review:
This is my second read of the twelve review copies I accepted for review here this year (see the complete list). I was looking for a shorter read after my previous two chunksters, and this short, fast-paced horror seemed like the perfect fit for my mood. The book puts a fresh twist on both haunted houses and trouble conceiving horror plots, although the writing style and dialogue struggle to support the excellent plot.
The story at first appears to be a straight-forward haunted/evil house plot. Right away, I liked that Azareal’s house isn’t the one the family lives in or one the family has just moved to. Instead, it is a house found in the woods, akin to Hansel and Gretel. That’s a trope I enjoy, and I liked seeing it used in the plot. Having the parents go into the house with the children was the first of several twists on tropes in the plot that made the book so engaging. From the point the family enters the house onward, the plot continues to twist and turn unexpectedly, yet believably. Gradually it becomes apparent that this is more than a haunted house book, it includes the occult, as well as a trouble conceiving plot. The fact that the results of using the occult to aid in conceiving doesn’t have consequences for eight years is a nice twist. Most books show consequences either during the pregnancy or immediately after the baby is born. The inclusion of new twists on both of these horror plots in one book makes the book fast-paced and engaging. It is a quick read that will propel you forward to see how it ends.
Unfortunately, the writing style doesn’t quite live up the high quality of the plot. Some of the dialogue feels forced and awkward. Similarly, while some scenes are set well, others are written in an awkward manner with focus on minute details that are irrelevant to the plot or the setting and not enough focus on other details that are. The writing style is good enough that it doesn’t ruin the enjoyment of the book, but it does knock it down a couple stars. The book is mostly well edited with the exception of one grammar mistake made quite a few times. Either using its for it’s or vice versa. Since it’s the same mistake made repeatedly, it’s easy enough to gloss over when reading it. However, I would advise for future books that the author keep an eye out for this particular issue during the editing process, especially since the rest of the grammar and spelling is so well-edited.
Overall, this is a fast-paced read that combines two horror plots into one book and puts unique twists on both. The writing style isn’t quite as good as the plot, but it’s still an enjoyable read. I’m looking forward to future works by the author. Recommended to horror fans looking for a quick, unique read.
3 out of 5 stars
Source: kindle copy from author in exchange for my honest review
Cross-Stitch #7: Look of Disapproval Emoticon
My final holiday cross-stitch was a present for my partner’s other sister. (He has two. The youngest one got pixel Thor). This sister is a journalist and a fan of emoticons. I thought it’d be fun to make her something small that she could hang in her office, maybe. Something that would both display her personality and be semi-related to work. I decided to stitch her the look of disapproval emoticon face and frame it in a classy hoop. Framing items this small is easiest with semi-flexible plastic hoops. I chose one that was made to resemble wood.
I enjoyed the final look so much that I was inspired to do an emoticon line in my shop. If you like the look of disapproval, you can buy a completed one from me. Although, the version I am selling is hooped in a red hoop.
ETA 3/5/15: I have now closed my Etsy shop, but I’ve made my patterns available on my Cross-Stitch page.





